April 17 – June 18, 2016
One of the master illusionists of late 20th century art, Pedro Friedeberg is enjoying something of a resurgent moment in the second decade of the 21st century. Ever since the 2009 retrospective of his work at the Palacio de Bellas Artes in Mexico City coincided one year later with the definitive critical study on him, authored by James Oles, there has been a noticeable uptick in international critical, collector and museum attention toward his unique oeuvre. This recognition, insofar as it includes the U.S. art intelligentsia, is long overdue, as Friedeberg, who celebrated his 80th birthday at the beginning of this year, is one of the most celebrated living artists in Mexico, and his artistic trajectory, considered as a whole, is nothing short of remarkable.”
Born in 1938 in Florence, Italy to German-Jewish parents, Friedeberg grew up in Mexico City from age three, and as a child was particularly drawn to the illusionistic representation of architectural space, both in Italian Renaissance architecture and 18th century painting, as well M.C. Escher and Josef Albers. While studying architecture at university, he met the distinguished artist Mathias Goeritz (1915-1990), who became a lifelong friend, collaborator, and immediate champion of Friedeberg’s distinctive work. Within a couple of years, Friedeberg had met Remedios Varo and Leonora Carrington and was having his first one-man exhibition at Galería Diana at the age of 22.
Pedro Friedeberg is a internationally acclaimed artist. His work is found in more than 50 international museum collections including The Museum of Modern Art, NYC and Musee d’Art Moderne de la Ville de Paris, France, and Los Angeles Contemporary Museum of Art, CA.
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