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Artworks

Consuelo Jimenez Underwood, VDG Looking Backward, 1990
Consuelo Jimenez Underwood, VDG Looking Backward, 1990 VDG Looking Backwards (detail)
Consuelo Jimenez Underwood, VDG Looking Backward, 1990 VDG Looking Backwards (detail)
Consuelo Jimenez Underwood, VDG Looking Backward, 1990 VDG Looking Backwards (detail)
Consuelo Jimenez Underwood, VDG Looking Backward, 1990 VDG Looking Backwards (detail)
Consuelo Jimenez Underwood, VDG Looking Backward, 1990 VDG Looking Backwards (detail)

Consuelo Jimenez Underwood American, b. 1949

VDG Looking Backward, 1990
Woven tapestry. Linen, cotton, and metallic threads
71 x 32 in
180.3 x 81.3 cm
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Further images

  • (View a larger image of thumbnail 1 ) Consuelo Jimenez Underwood, VDG Looking Backward, 1990
  • (View a larger image of thumbnail 2 ) Consuelo Jimenez Underwood, VDG Looking Backward, 1990
  • (View a larger image of thumbnail 3 ) Consuelo Jimenez Underwood, VDG Looking Backward, 1990
  • (View a larger image of thumbnail 4 ) Consuelo Jimenez Underwood, VDG Looking Backward, 1990
  • (View a larger image of thumbnail 5 ) Consuelo Jimenez Underwood, VDG Looking Backward, 1990
  • (View a larger image of thumbnail 6 ) Consuelo Jimenez Underwood, VDG Looking Backward, 1990
“VDG Looking Backward” centers a silhouette of the Virgin of Guadalupe, referenced in the title as the acronym VDG. Drawing inspiration from Peruvian burial shrouds, “VDG Looking Backward” is woven...
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“VDG Looking Backward” centers a silhouette of the Virgin of Guadalupe, referenced in the title as the acronym VDG. Drawing inspiration from Peruvian burial shrouds, “VDG Looking Backward” is woven with a single warp. In describing the intricate process, the artist notes, “I tapestried the borders and loom-wove the central portion – which is very difficult to do. I hand-dyed all the threads.” The piece features meticulous detail, including Quetzalcoatl, the feathered serpent, on the right border, alongside two small tapestried spiders. Additionally, the artist included the signature “C/S” in the upper-right corner, accompanied by the number “13,” which held sacred significance for indigenous communities.

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Exhibitions

All that Before Us: Jennifer Ling Datchuk and Consuelo Jimenez Underwood, Ruiz-Healy Art, NYC, September, 2026
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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

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Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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