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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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César A. Martínez, Toro Picassiano, 1988
César A. Martínez, Toro Picassiano, 1988
César A. Martínez, Toro Picassiano, 1988

César A. Martínez American, b. 1944

Toro Picassiano, 1988
Linoleum reduction print
13 x 10 in
33 x 25.4 cm
Edition 7 of 22
$ 2,000.00
César A. Martínez, Toro Picassiano, 1988
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Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. César A. Martínez, Toro Picassiano, 1988
  • (View a larger image of thumbnail 2 ) César A. Martínez, Toro Picassiano, 1988
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In 1986, Martínez read a book that contained an image of a work by Picasso, a “straightforward charcoal drawing of a bull, just the head, and it seemed to have...
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In 1986, Martínez read a book that contained an image of a work by Picasso, a “straightforward charcoal drawing of a bull, just the head, and it seemed to have a human face in it.” From then on, Martínez acknowledged his connection and high regard for toros and bullfighting. This detail also became a key origin point for the artist’s Mestizo series, reflecting race, geographical origin, and the impact of European influence.
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Exhibitions

César A. Martínez: Smoke and Mirrors, Ruiz-Healy Art, San Antonio, TX, 2024 (catalogue)

Literature

César A. Martínez: Smoke and Mirrors, Ruiz-Healy Art, San Antonio, TX, 2024 (illustrated)
Keller, Gary D., and Amy Phillips. Triumph of our Communities: Four Decades of Mexican American Art, Tempe: Bilingual Press, 2005, p. 202 (illustrated)

Publications

César A. Martínez: Smoke and Mirrors, Ruiz-Healy Art, San Antonio, TX, 2024 (illustrated)
Keller, Gary D., and Amy Phillips. Triumph of our Communities: Four Decades of Mexican American Art, Tempe: Bilingual Press, 2005, p. 202 (illustrated)
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