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  • Consuelo Jimenez Underwood, Father, Son and Holy Rebozo, 2017
    Consuelo Jimenez Underwood, Father, Son and Holy Rebozo, 2017
    Consuelo Jimenez Underwood, Father, Son and Holy Rebozo, 2017

    Consuelo Jimenez Underwood American, b. 1949

    Father, Son and Holy Rebozo, 2017
    Woven wire, linen, metallic and cotton thread
    40 x 19 in
    101.6 x 48.3 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EConsuelo%20Jimenez%20Underwood%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EFather%2C%20Son%20and%20Holy%20Rebozo%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2017%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWoven%20wire%2C%20linen%2C%20metallic%20and%20cotton%20thread%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E40%20x%2019%20in%3Cbr/%3E%0A101.6%20x%2048.3%20cm%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Consuelo Jimenez Underwood, Father, Son and Holy Rebozo, 2017
    • (View a larger image of thumbnail 2 ) Consuelo Jimenez Underwood, Father, Son and Holy Rebozo, 2017
    • (View a larger image of thumbnail 3 ) Consuelo Jimenez Underwood, Father, Son and Holy Rebozo, 2017
    “The father-and-son reference in the title indicates the Holy Trinity of Father, Son, and Holy Spirit in Catholic tradition, in which divinity is conceived as a male. Jimenez Underwood’s wicked...
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    “The father-and-son reference in the title indicates the Holy Trinity of Father, Son, and Holy Spirit in Catholic tradition, in which divinity is conceived as a male. Jimenez Underwood’s wicked sense of humor fuels her iconographic synthesis of these figures into specific hats worn by men. She represents the “Father” with a cowboy hat, its exterior shape formed by a repeated chain stitch overlaid upon a woven ground that contains an additional raised depiction of the border intertwined with barbed wire. The artist follows the Christian hierarchy by placing the cowboy hat in the upper register and a baseball cap, its form again outlined with a chain stitch and placed on top of a raised woven border, in the register to stand for “Son.” The Holy Spirit, because “He” is ghostly, appears without form in the lower register, indicated with a section of open work weaving using shiny metallic and thicker cotton thread in various muted greens, blues, and lavenders. The artist interrogates and questions the construction of masculinity, the association of maleness with divinity, and the erasure of women and femaleness from positions of power and authority in the imagination of organized religions” Laura E. Perez, "Introduction," Consuelo Jimenez Underwood: Art, Weaving, Vision, Duke University Press, 2022.
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    Exhibitions

    Threading Glass: Consuelo Jimenez Underwood, and Einar and Jamex de la Torre, Ruiz-Healy Art, San Antonio, TX, 2025
    Consuelo J. Underwood: Thread Songs from the Borderlands, 108 Contemporary, Tulsa, OK, 2018
    Mano-Made: New Expressions in Craft by Latino Artists, Craft in America Center, Los Angeles, CA, 2017; curator: Emily Zaiden
    (catalogue)

    Publications

    Laura E. Perez and Ann Marie Leimer, eds., Consuelo Jimenez Underwood: Art, Weaving, Vision, Durham, North Carolina: Duke University Press, 2022, between pages 160-161 (illustrated)
    Emily Zaiden, Mano-Made: New Expressions in Craft by Latino Artists, Craft in America Center, Los Angeles, CA, 2017 (illutrated)

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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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