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  • Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019
    Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019
    Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019
    Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019

    Consuelo Jimenez Underwood American, b. 1949

    Undocumented Nopal. 2525 AD, 2019
    Stitched, woven, embroidered, silkscreened. Silk and cotton fabric. Linen, Kentucky barbed wire, cotton and synthetic thread
    70 x 48 in
    177.8 x 121.9 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EConsuelo%20Jimenez%20Underwood%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUndocumented%20Nopal.%202525%20AD%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2019%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EStitched%2C%20woven%2C%20embroidered%2C%20silkscreened.%20Silk%20and%20cotton%20fabric.%20Linen%2C%20Kentucky%20barbed%20wire%2C%20cotton%20and%20synthetic%20thread%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E70%20x%2048%20in%3Cbr/%3E%0A177.8%20x%20121.9%20cm%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019
    • (View a larger image of thumbnail 2 ) Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019
    • (View a larger image of thumbnail 3 ) Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019
    • (View a larger image of thumbnail 4 ) Consuelo Jimenez Underwood, Undocumented Nopal. 2525 AD, 2019
    Jimenez Underwood’s Undocumented Nopal 2525 AD depicts a nopal cactus, embroidered with barbed wire as its spikes, engulfed in flames, echoing the artist’s environmental concern for our planet. The work...
    Read more
    Jimenez Underwood’s Undocumented Nopal 2525 AD depicts a nopal cactus, embroidered with barbed wire as its spikes, engulfed in flames, echoing the artist’s environmental concern for our planet. The work depicts a post-apocalyptic cactus, referencing the resilience of nopals, native to North America, and can be used for food, medicine, and even dye mordant. Ecosystems of flora and fauna continue to pass through man-made borders, a theme the artist continually examines. "Indigenous foodstuffs, plants native to the Americas, and when the artist elevates chili, chocolate, and nopal to the sacred level, these plants in all their mundane and symbolic power become aspects of the Goddess of the Americas." Anne Marie Leimer, "Garments for the Goddess of the Americas," Consuelo Jimenez Underwood: Art, Weaving, Vision, Duke University Press, 2022
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    Exhibitions

    Threading Glass: Consuelo Jimenez Underwood, and Einar and Jamex de la Torre, Ruiz-Healy Art, San Antonio, TX, 2025
    Consuelo Jimenez Underwood: One Nation Underground, Ruiz-Healy Art, San Antonio, TX, 2022
    Woven: Connections and Meanings, National Museum of Mexican Art, Chicago, IL, 2019

    Literature

    Purcell, Barbara. “Indivisible: Consuelo Jimenez Underwood’s “One Nation Underground” at Ruiz-Healy Art,”

    Glasstire, December 14, 2022 (illustrated)

    Publications

    Laura E. Perez and Ann Marie Leimer, eds., Consuelo Jimenez Underwood: Art, Weaving, Vision, Durham, North Carolina: Duke University Press, 2022, between pages 160-161 (illustrated)
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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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