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  • Consuelo Jimenez Underwood, Kaut: Border Flowers, 2021
    Consuelo Jimenez Underwood, Kaut: Border Flowers, 2021
    Consuelo Jimenez Underwood, Kaut: Border Flowers, 2021

    Consuelo Jimenez Underwood American, b. 1949

    Kaut: Border Flowers, 2021
    Woven tapestry. Linen, cotton, and synthetic threads, fabric
    53 x 92 in
    134.6 x 233.7 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EConsuelo%20Jimenez%20Underwood%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EKaut%3A%20Border%20Flowers%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWoven%20tapestry.%20Linen%2C%20cotton%2C%20and%20synthetic%20threads%2C%20fabric%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E53%20x%2092%20in%3Cbr/%3E%0A134.6%20x%20233.7%20cm%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Consuelo Jimenez Underwood, Kaut: Border Flowers, 2021
    • (View a larger image of thumbnail 2 ) Consuelo Jimenez Underwood, Kaut: Border Flowers, 2021
    • (View a larger image of thumbnail 3 ) Consuelo Jimenez Underwood, Kaut: Border Flowers, 2021
    Jimenez Underwood’s art goes beyond the conventional, delving into the material potential of woven works. In 'Kaut: Border Flowers,' she combines everyday textile materials, such as cotton, with synthetic plastic...
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    Jimenez Underwood’s art goes beyond the conventional, delving into the material potential of woven works. In "Kaut: Border Flowers," she combines everyday textile materials, such as cotton, with synthetic plastic threads. The material itself takes center stage, as her studio process often begins with a question: “Who wants to say the message?” She chooses specific flowers, official state flowers that grow along the U.S.-Mexico border, to highlight the randomness of a geopolitical boundary, pondering, “Will they need documentation?” Jimenez Underwood also plays with words and sounds through her titles, and Kaut is intended to evoke the word “caught.” This piece conveys a layered message, questioning borders while reminding us that beauty and vitality persist even amid division.
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    Provenance

    Artist Studio

    Exhibitions

    Jennifer Ling Datchuk and Consuelo Jimenez Underwood: In Our Hands, Ruiz-Healy Art, San Antonio, TX, 2026
    Art in Embassies Program, U.S. Embassy Bucharest, Romania 2023-24
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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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