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Ariel René Jackson
Maroons #3, 2022Gouache paint, acrylic cement patch, iron ore, red line powder, soft plastic, and Austin, TX local topsoil on panel24 x 30 x 2.5 in
60.96 x 76.2 x 6.35 cmFurther images
'While a self-described ‘city-person,’ Jackson spent formative time in rural Louisiana where their grandparents were Black farmers. Bearing witness to their toil on family land inspired a curiosity about the..."While a self-described ‘city-person,’ Jackson spent formative time in rural Louisiana where their grandparents were Black farmers. Bearing witness to their toil on family land inspired a curiosity about the notion of legacy, and the ways in which stories are passed down. But growing up between different landscapes also prompted an awareness of the ways in which one navigates different spaces, and how that can shape stories." - Lise Ragbir, Hyperallergic
"I’m interested in the relationship between narrative and meaning in the construction of identity as it relates to land-specific sites. Narratives that develop out of the oral and literary knowledge of marginalized communities drive me in cultivating an intergenerational dialogue. I consider the lexicon of symbols in translating and expanding epistemological relationships to a space or place." - Ariel Rene Jackson, The Momentary