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Consuelo Jimenez Underwood American, b. 1949
One Nation Underground, 2013Stitched, embroidered. Nylon, cotton, silk fabric; leather; cotton thread56 x 90 in
142.24 x 228.6 cmFurther images
As part of the artist’s Flags series, One Nation Underground hybridizes the U.S. and Mexico flags by layering them on top of each other and stitching the border across it....As part of the artist’s Flags series, One Nation Underground hybridizes the U.S. and Mexico flags by layering them on top of each other and stitching the border across it. The southern state border flowers–California poppy, Arizona saguaro, New Mexico yucca, and Texas bluebonnet–fill the backdrop of this superimposed flag and are present on both sides of the rigid blue borderline, though they are barely visible by comparison.
"Jimenez Underwood's compelling visual narratives express the inter-connectedness of postmodern societies, insisting on beauty in the midst of struggle and celebrating the experience of being in nepantla, as this experience has enabled the artist to see and understand the world through a tricultural lens."
Clara Roman-Odio, "Flags, the Sacred, and a Different America in Consuelo Jimenez Underwood's Fiber Art," Consuelo Jimenez Underwood: Art, Weaving, Vision, Duke University Press, 2022
One Nation Underground is a large-scale textile work that combines the United States and Mexico flags. Embellished with various fibers, fabric, and barbed wire, the work references the intermingling of culture along the U.S.-Mexico border.Exhibitions
Consuelo Jimenez Underwood: One Nation Underground, Ruiz-Healy Art, San Antonio, TX, 2022
Borderlines: The Art of Consuelo Jimenez Underwood, ArtRage Gallery, Syracuse, NY, 2015
Welcome to Flower-Landia, Triton Museum of Art, Santa Clara, CA, 2013; curator: Maria Esther Fernandez
Literature
Petty, Kathleen, "See Consuelo Jimenez Underwood’s Work at Ruiz-Healy Art," San Antonio Magazine, January/February 2023 (illustrated)
Publications
Laura E. Perez and Ann Marie Leimer, eds., Consuelo Jimenez Underwood: Art, Weaving, Vision, Durham, North Carolina: Duke University Press, 2022, between pages 160-161 (illustrated)