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  • Consuelo Jimenez Underwood, Mi Oro, Tu Amor, 1994
    Consuelo Jimenez Underwood, Mi Oro, Tu Amor, 1994

    Consuelo Jimenez Underwood American, b. 1949

    Mi Oro, Tu Amor, 1994
    Painted, wrapped, embroidered, stitched. Cotton canvas, silk fabric, barbed wire, gold wire, paint, corn, and bean kernels
    48 x 51 in
    121.9 x 129.5 cm
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EConsuelo%20Jimenez%20Underwood%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMi%20Oro%2C%20Tu%20Amor%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1994%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EPainted%2C%20wrapped%2C%20embroidered%2C%20stitched.%20Cotton%20canvas%2C%20silk%20fabric%2C%20barbed%20wire%2C%20gold%20wire%2C%20paint%2C%20corn%2C%20and%20bean%20kernels%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E48%20x%2051%20in%3Cbr/%3E%0A121.9%20x%20129.5%20cm%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Consuelo Jimenez Underwood, Mi Oro, Tu Amor, 1994
    • (View a larger image of thumbnail 2 ) Consuelo Jimenez Underwood, Mi Oro, Tu Amor, 1994
    Translating to “my gold, your love,” the painted canvas delineates an early map of what in colonial times was called New Spain and was Mexico until 1848. Mexico is visible...
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    Translating to “my gold, your love,” the painted canvas delineates an early map of what in colonial times was called New Spain and was Mexico until 1848.

    Mexico is visible but barred behind slats of barbed wire tightly wrapped with gold. Throughout the canvas, gold thread is embroidered to form a grid, bringing maps and, more acutely, the European plundering of the Americas to mind. Hidden and buried in this work, however, are beans and corn kernels, what Jimenez Underwood calls the “true gift” of the Americas.

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    Exhibitions

    Consuelo Jimenez Underwood: One Nation Underground, Ruiz-Healy Art, San Antonio, TX, 2022
    Borderlines: The Art of Consuelo Jimenez Underwood, ArtRage Gallery, Syracuse, NY, 2015

    Literature


    Glasstire, December 14, 2022 (illustrated)

    Publications

    Laura E. Perez and Ann Marie Leimer, eds., Consuelo Jimenez Underwood: Art, Weaving, Vision, Durham, North Carolina: Duke University Press, 2022, between pages 90-91 (illustrated)
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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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