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  • Teresa Serrano, Womb, 1994
    Teresa Serrano, Womb, 1994 Installation image by Daniel Terna
    Teresa Serrano, Womb, 1994 Installation image by Daniel Terna
    Teresa Serrano, Womb, 1994
    Teresa Serrano, Womb, 1994 Installation image by Daniel Terna

    Teresa Serrano

    Womb, 1994
    Iron, mirror, and ceramic
    36 x 20 x 19 in
    91.4 x 50.8 x 48.3 cm

    Further images

    • (View a larger image of thumbnail 1 ) Teresa Serrano, Womb, 1994
    • (View a larger image of thumbnail 2 ) Teresa Serrano, Womb, 1994
    • (View a larger image of thumbnail 3 ) Teresa Serrano, Womb, 1994
    • (View a larger image of thumbnail 4 ) Teresa Serrano, Womb, 1994
    • (View a larger image of thumbnail 5 ) Teresa Serrano, Womb, 1994
    Anne C. Chave, in the important critical essay on Minimalism: 'Minimalism and the Rhetoric of Power,' 1990, discusses the industrial, corporate, military, and therefore patriarchal, macho, and capitalist character of...
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    Anne C. Chave, in the important critical essay on Minimalism: "Minimalism and the Rhetoric of Power," 1990, discusses the industrial, corporate, military, and therefore patriarchal, macho, and capitalist character of Minimalism with respect to its scale, it's potential for mass production and compliance with government regulations. Right at the same time that this essay was published, Serrano produced sculptures in which she subverted the depersonalized coldness of materials such as steel, iron, or other metals common to Minimalism; but confronted these with the feminine seduction of mirrors and ceramics.
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    Exhibitions

    2015 Teresa Serrano, Museo Amparo, Puebla, Mexico; curator: Berta Sichel (catalogue)
    1994 Teresa Serrano. Annina Nosei Gallery, New York

    Literature

    Yau, John. Teresa Serrano. New York: Annina Nosei Gallery, 1994, p. 15.

    Publications

    Sichel, Berta. Teresa Serrano, Puebla, Mexico: Museo Amparo, 2015 (illustrated)
    Yau, John. Teresa Serrano. New York: Annina Nosei Gallery, 1994, p. 15.

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