




Chuck Ramirez American, 1962-2010
Careyes: Venetian, 2007, 2015
Pigment inkjet print on watercolor paper
17 x 14 in
43.2 x 35.6 cm
43.2 x 35.6 cm
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Further images
The Careyes Series comes from Ramirez’s time visiting Mexico's Pacific coast. He observed residents reusing consumer objects like cracked plastic bottles and brooms. Garbage bags, dying flowers, and the remains...
The Careyes Series comes from Ramirez’s time visiting Mexico's Pacific coast. He observed residents reusing consumer objects like cracked plastic bottles and brooms. Garbage bags, dying flowers, and the remains of meals serve as a memento mori in Ramirez’s work, reflections on life’s fleeting nature. Ramirez writes that photographing these repurposed objects acts to reflect on how “consumer culture permeates every aspect of our daily lives” and how Americans are not only “responsible for a significant portion of the world’s waste, but they are slow to any significant reforms in their consumption practice.” Ramirez pushes the viewer to consider American consumer culture and its environmental impact through this series.
Exhibitions
For Fran, Ruiz-Healy Art, San Antonio; curator: Hills Snyder, 2025Chuck Ramirez: Metaphorical Portraits, Ruiz-Healy Art, San Antonio, TX, 2020
Chuck Ramirez: Minimally Baroque, Ruiz-Healy Art, and Blue Star Contemporary, San Antonio, TX; curator: Victor Zamudio-Taylor, 2011
Bowling in the Wind, Sala Diaz, San Antonio, TX; curator: Hills Snyder, 2007
Publications
Exhibition Catalogue, Chuck Ramirez: Metaphorical Portraits, Ruiz-Healy Art, San Antonio, TX, 2020, p.30 (illustrated)Exhibition Catalogue, Chuck Ramirez: Minimally Baroque, Ruiz-Healy Art, and Blue Star Contemporary, San Antonio, TX; curator: Victor Zamudio-Taylor, editor: Anjali Gupta, 2011, p. 39 (illustrated)