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Neo-Surrealism & Magic Realism

Past exhibition
February 16 - May 7, 2022 San Antonio
  • Overview
  • Works
  • Installation Views
  • Press
Overview
Katie Pell Waiting for You, 2018 Pastel and charcoal on paper in mirrored plexiglass frame 58 x 46 x 1 in 147.3 x 116.8 x 2.5 cm
Katie Pell
Waiting for You, 2018
Pastel and charcoal on paper in mirrored plexiglass frame
58 x 46 x 1 in
147.3 x 116.8 x 2.5 cm

Ruiz-Healy Art is pleased to present Neo-Surrealism & Magic Realism. The exhibition includes dreamlike and figurative works that emulate the complex and often irrational visions of the unconscious mind; fantastical visions, mythology, and magical thinking influence the genres. Featured artists include: Juan Alcazar, RF Alvarez, Bruno Andrade, Victor Chaca, Juan de Dios Mora, Pedro Friedeberg, Luis Gal, Irma Guerrero, Roger Von Gunten, Rodolfo Morales, Katie Pell, Gugger Petter, Jose Luis Rivera-Barrera, Shinzaburo Takeda, Leticia Tarrago, Patssi Valdez, and Bettie Ward.

 

Neo-Surrealism, defined as a revival of the Surrealism literary and artistic genre its a movement, where artists find magic and strange beauty in the unexpected, the disregarded and the unconventional. As seen in Katie Pell's dreamlike Waiting for You, In witty René Magritte fashion, Pell channels the sky and connects with surrealist themes of liminality. Pell described her work with "Some of us build our own mythology out of our environment, our desires, and our own furious defiance at our genetic mediocrity. I hope my work can ignite or describe the excitement of our pointless and forgettable lives, and reaffirm the value of our gorgeous desperation."

 

Sculptural works by Pedro Friedeberg pay tribute to the roots of Surrealism. In Homenaje a Sigmund Freud, Friedeberg honors Freud's psychoanalysis theory, a source of great inspiration for Surrealists. Combining the old, the new, and the strange, Friedeberg creates a composition using a gilded wooden rocking horse and a red and blue bust of Freud nestled inside a wooden frame with feet.

 

Friedeberg further references Freud by blending dreams and reality in this imaginative, mixed-media piece. In traditional Surrealist fashion, Friedeberg states, "Who knows what one does or why? I think of my work as a pastiche. There's a little bit of everything I like in there."

 

Magic realism combines real world narratives with magical and fantastical elements as seen in Irma Guerrero's painting Viento y Agua (Wind and Water), where Guerrero uses nature as a symbol for beauty and balance. Guerrero reveals a personal moment between hummingbirds that reflects the whimsical world that exists all around us. Wind and water play a valuable role as they create mysticism of alchemical proportions, and create magic within the canvas.

 

Patssi Valdez's paintings and graphics are brightly colored and often emotive with a sense of magical realism woven in. In Cactus Queen, Valdez captures an indigenous woman dressed in an ornate red gown and cactus crown who stands in a desert landscape framed by saguaros, prickly pear cactus pads, and the night sky. The illusion of a frame creates a sense of theatricality and pageantry, in which this empowered woman reigns supreme. A Chicano art icon, Valdez has been internationally recognized for her pioneering artwork that uses magic realism to reject negative representations of the Latinx community. The artist states, "Nothing in the world is static. Nothing is solid. Everything is always in flux and in motion."

 

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Works
  • Katie Pell Waiting for You, 2018 Pastel and charcoal on paper in mirrored plexiglass frame 58 x 46 x 1 in 147.3 x 116.8 x 2.5 cm
    Katie Pell
    Waiting for You, 2018
    Pastel and charcoal on paper in mirrored plexiglass frame
    58 x 46 x 1 in
    147.3 x 116.8 x 2.5 cm
  • Gugger Petter The Mirror #3, 2005 Newspaper, hemp, acrylic, and varnish 61 x 52 in 154.9 x 132.1 cm
    Gugger Petter
    The Mirror #3, 2005
    Newspaper, hemp, acrylic, and varnish
    61 x 52 in
    154.9 x 132.1 cm
  • Bruno Andrade Into Memory, 2009 Oil on canvas 48 x 36 in 121.9 x 91.4 cm
    Bruno Andrade
    Into Memory, 2009
    Oil on canvas
    48 x 36 in
    121.9 x 91.4 cm
  • Luis Gal Como Nostalgia, 2018 Cold encaustic on canvas 27.8 x 51.5 in x 1. 5 in 70.5 x 130.8 cm
    Luis Gal
    Como Nostalgia, 2018
    Cold encaustic on canvas
    27.8 x 51.5 in x 1. 5 in
    70.5 x 130.8 cm
  • Juan de Dios Mora Partido en Dos (Torn in Half), 2009 Linocut and woodcut 15 x 16 in 38.1 x 40.6 cm Edition of 15 plus 2 artist's proofs
    Juan de Dios Mora
    Partido en Dos (Torn in Half), 2009
    Linocut and woodcut
    15 x 16 in
    38.1 x 40.6 cm
    Edition of 15 plus 2 artist's proofs
  • Juan de Dios Mora Montando a la Escoba Voladora (Riding the Flying Broom), 2010 Linocut 22 x 30 in 55.9 x 76.2 cm Edition of 20
    Juan de Dios Mora
    Montando a la Escoba Voladora (Riding the Flying Broom), 2010
    Linocut
    22 x 30 in
    55.9 x 76.2 cm
    Edition of 20
  • RF. Alvarez Somewhere Else, 2021 Acrylic and natural earth pigment on canvas 36 x 48 in 91.4 x 121.9 cm
    RF. Alvarez
    Somewhere Else, 2021
    Acrylic and natural earth pigment on canvas
    36 x 48 in
    91.4 x 121.9 cm
  • Jose Luis Rivera-Barrera Pata de Caballo, 2018 Mesquite wood 11 x 11 x 7 in 27.9 x 27.9 x 17.8 cm
    Jose Luis Rivera-Barrera
    Pata de Caballo, 2018
    Mesquite wood
    11 x 11 x 7 in
    27.9 x 27.9 x 17.8 cm
  • Bettie Ward Memories Refrain: Remember laughter can change things, 2008 Embroidery and gold leaf on linen 48 x 48 in 121.9 x 121.9 cm
    Bettie Ward
    Memories Refrain: Remember laughter can change things, 2008
    Embroidery and gold leaf on linen
    48 x 48 in
    121.9 x 121.9 cm
  • Leticia Tarrago Mundo de Juguetes, 1998 Oil on linen 35.5 x 47.3 in 90.2 x 120 cm
    Leticia Tarrago
    Mundo de Juguetes, 1998
    Oil on linen
    35.5 x 47.3 in
    90.2 x 120 cm
  • Roger Von Gunten Mar de Cortez, 2005 Acrylic on paper 14 x 32.5 in 35.6 x 82.5 cm
    Roger Von Gunten
    Mar de Cortez, 2005
    Acrylic on paper
    14 x 32.5 in
    35.6 x 82.5 cm
  • Bruno Andrade Apple of My Eye, 1999 Oil on canvas 36 x 48 in 44 x 56 in framed
    Bruno Andrade
    Apple of My Eye, 1999
    Oil on canvas
    36 x 48 in
    44 x 56 in framed
  • Irma Guerrero Viento y Agua (Wind and Water), 2004 Oil and mixed media on canvas 35.5 x 27.5 in 90.2 x 69.8 cm
    Irma Guerrero
    Viento y Agua (Wind and Water), 2004
    Oil and mixed media on canvas
    35.5 x 27.5 in
    90.2 x 69.8 cm
  • Patssi Valdez Cactus Queen, 1992 Stone lithograph on Arches Paper 30 x 22 in 76.2 x 55.9 cm 88 / 100
    Patssi Valdez
    Cactus Queen, 1992
    Stone lithograph on Arches Paper
    30 x 22 in
    76.2 x 55.9 cm
    88 / 100
  • Rodolfo Morales Sueños, 1999 Lithograph 30.5 x 23.5 in 77.5 x 59.7 cm PT 9 of 10
    Rodolfo Morales
    Sueños, 1999
    Lithograph
    30.5 x 23.5 in
    77.5 x 59.7 cm
    PT 9 of 10
  • Juan Alcazar La Cama Azul, 2001 Lithograph 26.5 x 20 in 67.3 x 50.8 cm 20 / 50
    Juan Alcazar
    La Cama Azul, 2001
    Lithograph
    26.5 x 20 in
    67.3 x 50.8 cm
    20 / 50
  • Shinzaburo Takeda Mujeres de Mayo, 2010 Metal plate lithograph with charcoal 17 x 23 in 43.2 x 58.4 cm 3 / 30
    Shinzaburo Takeda
    Mujeres de Mayo, 2010
    Metal plate lithograph with charcoal
    17 x 23 in
    43.2 x 58.4 cm
    3 / 30
  • Shinzaburo Takeda Mangos, 2004 Oil on canvas 23.5 x 31.5 in 59.7 x 80 cm
    Shinzaburo Takeda
    Mangos, 2004
    Oil on canvas
    23.5 x 31.5 in
    59.7 x 80 cm
  • Victor Chaca Personajes y Escaleras, 2004 Oil and mixed media on Canvas 31.5 x 39.5 in 80 x 100.3 cm
    Victor Chaca
    Personajes y Escaleras, 2004
    Oil and mixed media on Canvas
    31.5 x 39.5 in
    80 x 100.3 cm
  • Pedro Friedeberg Homenaje a Sigmund Freud, 2021 Carved, painted, gilt wood, and found object 9 x 11.3 x 4 in 22.8 x 28.5 x 10 cm
    Pedro Friedeberg
    Homenaje a Sigmund Freud, 2021
    Carved, painted, gilt wood, and found object
    9 x 11.3 x 4 in
    22.8 x 28.5 x 10 cm
  • Pedro Friedeberg Tercer banco, 2021 Carved, painted, and gilt wood 8.3 x 17.4 x 17.4 in 21.x 44 x 44 cm
    Pedro Friedeberg
    Tercer banco, 2021
    Carved, painted, and gilt wood
    8.3 x 17.4 x 17.4 in
    21.x 44 x 44 cm
Installation Views
  • Dsc2310 1
  • Dsc2315
  • Dsc2308
  • Dsc2314
  • Dsc2345
  • Dsc2316
  • Dsc2313
  • Dsc2317
Press
  • Jennifer Ling Datchuk ,Twist and Curl, 2019, Signed on back of artwork label Digital Print, 32 x 48 in, 81.2 x 121.9 cm, 1 / 3

    Spring Newsletter & EXPO Chicago 2022

    Ruiz-Healy Art, April 5, 2022
  • Pedro Friedeberg’s iconic Hand Chair welcomes visitors into “Neo-Surrealism & Magic Realism.”

    New exhibition at Ruiz-Healy Art investigates the intersections of neo-surrealism and magic realism

    Bryan Rindfuss, San Antonio Current, March 9, 2022
    This link opens in a new tab.
  • Chuck Ramirez, Candy Tray: Godiva 3, 2002/2021

    Winter Newsletter | Ruiz-Healy Art

    Ruiz Healy Art , February 4, 2022

Related artists

  • Pedro Friedeberg, Bodas triangulares orgánicas interacciones morganáticas, 2021, Signed, titled and dated, Ink and acrylic on museum board, 41.4 x 61.1 in, 105 x 155 cm

    Pedro Friedeberg

  • Katie Pell, Untitled from Adoration Drawings, 2018, Pastel and charcoal on paper in mirrored plexiglass frame, 58 x 46 x 1 in, 147.3 x 116.8 x 2.5 cm

    Katie Pell

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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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