This kinetic, mobile inspired installation is reminiscent of an early installation done by Biagini work titled, “Montaña”  at Centro Cultural Recoleta, Buenos Aires from 1998.

"Biagini's sculptures are explorations into de-constructed form. Even the stabiles feel mobile and de-stabilized. Color is forced outwards and attaches to the ends of things. Units of measurement and support, dowels and shims, shore up the whirling masses, the shifting shapes of infinite continents and towers. Shadows endow the questions asked in these narratives with more ambiguity." - Leslie Lund, "Cecilia Biagini: Requests for Expansion," Hybrid Visions, Ruiz-Healy Art, 2010.