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Alejandro Diaz: Words for White Walls

Past exhibition
May 11 - July 8, 2022 New York City
  • Overview
  • Works
  • Installation Views
  • Press
Overview
Alejandro Diaz Happiness is Expensive, 2020 Acrylic paint on canvas 36 x 48 in 91.44 x 121.92 cm
Alejandro Diaz
Happiness is Expensive, 2020
Acrylic paint on canvas
36 x 48 in
91.44 x 121.92 cm

Ruiz-Healy Art is pleased to announce Alejandro Diaz: Words for White Walls. This is the artist’s second solo exhibition with the gallery. Grounded in his Mexican American heritage and South Texas aesthetics, Diaz presents a recent series of text-based paintings and prints as well as found object sculptures from the late 2000’s. Diaz will also showcase a series of cardboard signs, which he began making and selling on the streets of Manhattan in the late 1990s.

 

Since returning to painting in 2014, the artist’s recent body of paintings and prints rely on the ability of text to conjure mental images. A moody red canvas inscribed with the lyric “A room in Mexico with enamel pink interior and red velvet furnishings” evokes the warmth, vibrancy, and eclecticism associated with Mexican architecture and interior design while “X-Rays of 80’s Masterpiece Reveal Seven Layer Dip Recipe” offers a humorous social critique on the sometimes silent, subtle integration of Mexican and American culture. Other works might resemble newspaper headlines, logos, or redacted documents. Writer, curator and art historian Carla Stellweg writes, “Diaz’s decision to embrace painting resulted in a stunning body of work. The works are further strengthened by several suggestive or unassuming deadpan titles that reveal much of the artist’s mindset behind whatever the imagery turned into. They seem to reflect Diaz’s desire and dream of a journey to seek freedom, that of letting his hands and mind take off to encounter what may be next in store.”

 

A series of found object sculptures crafted in the late 2000s during the Great Recession evoke surrealist and post-conceptual art practices, speaking to the complex and irrational realities that accompany national crises. These concepts find relevance yet again in the Pandemic-era. Lost Our Lease features an empty

 Mexican birdcage and a miniature cardboard sign scrawled with the title. Ceci n’est pas une pipe reimagines René Magritte’s 1929 painting with a cardboard sign and candelabra. On his use of high and popular art references Kathryn Kanjo, Director and CEO of the Museum of Contemporary Art San Diego states, “Diaz deploys art historical references to critique not only visual culture but also socio-economic issues…Through such layered references, Diaz crafts works that are simultaneously sophisticated and shrewd. His is the gently subversive visual patois of a south Texas kid stepping into the grown-up world of high art.”

 

Diaz's conceptual, campy, and political cardboard signs-which he began making and selling on the streets of Manhattan in the late 1990s-are emblematic of his recurrent use of everyday materials and his continuing involvement with art as a form of entertainment, activism, public intervention, and free enterprise. The cardboard sign series started when Diaz moved to New York City to study at Bard Curatorial Studies and work as an intern at the Whitney Museum of American Art. The artist remarks, “In art school there are many things they don’t teach you but most importantly they don’t teach you how to make a living… I did end up making a little extra cash but more importantly I discovered that through these signs I was able to engage with a broad public outside of the art world.” The cardboard sign series is ongoing and continues to evolve with some of the sayings now being produced in neon.

 

About the Artist

Based in New York, Alejandro Diaz was born and raised in San Antonio, Texas where he developed a unique and pertinent body of work exemplifying the complex and visually rich cultural milieu particular to South Texas and Mexico. Diaz received an MFA from the Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY in 1999 and a BFA from the University of Texas at Austin in 1987. He was an Artist-in-Residence at Artpace in 1996 and co-founded Sala Diaz Gallery that same year in San Antonio, Texas. In both his artistic and curatorial practice Diaz has prioritized the inclusion and representation of lesser-known or rarely validated cultural expressions. His artwork is often tinged with humor, sometimes making self-deprecating jokes about the “seriousness” of artmaking, other times delivering biting socio-political commentary under the guise of light-hearted wit.

 

His work is in the permanent collections of Los Angeles County Museum of Art (LACMA), CA; Smithsonian Museum of American Art, Washington, DC; El Museo del Barrio, New York, NY; The National Museum of Mexican Art, Chicago, IL; Museum of Contemporary Art San Diego, CA; RISD Museum of Art, Providence, RI; Scottsdale Museum of Contemporary Art, AZ; Fundación Colección Museo Jumex, Mexico City, Mexico; Ruby City, San Antonio, TX; Blanton Museum of Art, Austin, TX; McNay Art Museum, San Antonio, TX.

 

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Works
  • Alejandro Diaz Happiness is Expensive, 2020 Acrylic paint on canvas 36 x 48 in 91.44 x 121.92 cm
    Alejandro Diaz
    Happiness is Expensive, 2020
    Acrylic paint on canvas
    36 x 48 in
    91.44 x 121.92 cm
  • Alejandro Diaz Enchiladas at the Plaza, 2003/2021 Performance/intervention in which hand-painted cardboard signs were sold and distributed to passersby in Manhattan’s Fifth Avenue shopping district. The work consists of a photograph printed on aluminum and a cast resin acrylic painted sign 27.5 x 18 in 69.8 x 45.7 cm Edition 1 of 3 plus 2 AP
    Alejandro Diaz
    Enchiladas at the Plaza, 2003/2021
    Performance/intervention in which hand-painted cardboard signs were sold and distributed to passersby in Manhattan’s Fifth Avenue shopping district. The work consists of a photograph printed on aluminum and a cast resin acrylic painted sign
    27.5 x 18 in
    69.8 x 45.7 cm
    Edition 1 of 3 plus 2 AP
  • Alejandro Diaz From the Series of Great Prints: Jerry Garcia, 2019-2020 Archival color print on German etching paper 36 x 36 in 91.44 x 91.44 cm Edition 1 of 25
    Alejandro Diaz
    From the Series of Great Prints: Jerry Garcia, 2019-2020
    Archival color print on German etching paper
    36 x 36 in
    91.44 x 91.44 cm
    Edition 1 of 25
  • Alejandro Diaz 80's Masterpiece, 2021 Acrylic paint on canvas 40 x 40 in 101.6 x 101.6 cm
    Alejandro Diaz
    80's Masterpiece, 2021
    Acrylic paint on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Alejandro Diaz Please Do Not Touch, 2009 Mexican clay pot, acrylic paint on cast resin sign, live cactus Pot with plant: 10 x 10 x 19 in, 25.4 x 25.4 x 48.26 cm Pedestal: 12x 12 x 48 in, 30.48 x 30.48 x 121.92 cm Edition 1 of 3 plus 2 AP
    Alejandro Diaz
    Please Do Not Touch, 2009
    Mexican clay pot, acrylic paint on cast resin sign, live cactus
    Pot with plant: 10 x 10 x 19 in, 25.4 x 25.4 x 48.26 cm
    Pedestal: 12x 12 x 48 in, 30.48 x 30.48 x 121.92 cm
    Edition 1 of 3 plus 2 AP
  • Alejandro Diaz From the Series of Great Prints: Alexander, 2019-2020 Archival color print on German etching paper. 36 x 36 in 91.44 x 91.44 cm Edition 1 of 25
    Alejandro Diaz
    From the Series of Great Prints: Alexander, 2019-2020
    Archival color print on German etching paper.
    36 x 36 in
    91.44 x 91.44 cm
    Edition 1 of 25
  • Alejandro Diaz Childhood Friends, 2021 Acrylic paint on canvas 36 x 36 in 91.4 x 91.4 cm
    Alejandro Diaz
    Childhood Friends, 2021
    Acrylic paint on canvas
    36 x 36 in
    91.4 x 91.4 cm
  • Alejandro Diaz Breakfast Tacos at Tiffany’s II, 2003/2021 Performance/intervention in which hand-painted cardboard signs were sold and distributed to passersby in Manhattan’s Fifth Avenue shopping district. The work consists of a photograph printed on aluminum and a cast resin acrylic painted sign 28 x 18 in 71.12 x 45.72 cm Edition 1 of 3 plus 2 AP
    Alejandro Diaz
    Breakfast Tacos at Tiffany’s II, 2003/2021
    Performance/intervention in which hand-painted cardboard signs were sold and distributed to passersby in Manhattan’s Fifth Avenue shopping district. The work consists of a photograph printed on aluminum and a cast resin acrylic painted sign
    28 x 18 in
    71.12 x 45.72 cm
    Edition 1 of 3 plus 2 AP
  • Alejandro Diaz Redacted Seven Layer Dip Recipe, 2021 Acrylic paint on canvas 20 x 24 in 50.8 x 60.96 cm
    Alejandro Diaz
    Redacted Seven Layer Dip Recipe, 2021
    Acrylic paint on canvas
    20 x 24 in
    50.8 x 60.96 cm
  • Alejandro Diaz Make Tacos Not War, 2019 Acrylic paint on canvas 36 x 36 in 91.4 x 91.4 cm
    Alejandro Diaz
    Make Tacos Not War, 2019
    Acrylic paint on canvas
    36 x 36 in
    91.4 x 91.4 cm
  • Alejandro Diaz Quality, 2012 Alternating blinking neon on clear plexi 39 x 10 x 3 in 99.06 x 25.4 x 7.62 cm Edition 2 of 5 plus 2 AP
    Alejandro Diaz
    Quality, 2012
    Alternating blinking neon on clear plexi
    39 x 10 x 3 in
    99.06 x 25.4 x 7.62 cm
    Edition 2 of 5 plus 2 AP
  • Alejandro Diaz Pottery Barn, 2020 Twigs, miniature clay pottery, gravel, woven straw paper, gourd, pumpkin seeds, acrylic paint 20 x 16 in 50.8 x 40.64 cm
    Alejandro Diaz
    Pottery Barn, 2020
    Twigs, miniature clay pottery, gravel, woven straw paper, gourd, pumpkin seeds, acrylic paint
    20 x 16 in
    50.8 x 40.64 cm
  • Alejandro Diaz Democracy, 2019 Acrylic paint on canvas 40 x 40 in 101.6 x 101.6 cm
    Alejandro Diaz
    Democracy, 2019
    Acrylic paint on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Alejandro Diaz Kids in Cages, 2018-2019 Acrylic paint on canvas 30 x 30 in 76.2 x 76.2 cm
    Alejandro Diaz
    Kids in Cages, 2018-2019
    Acrylic paint on canvas
    30 x 30 in
    76.2 x 76.2 cm
  • Alejandro Diaz From the Series if Great Prints: Catherine, 2019-2020 Archival color print on German etching paper 36 x 36 in 91.44 x 91.44 cm Edition 1 of 25
    Alejandro Diaz
    From the Series if Great Prints: Catherine, 2019-2020
    Archival color print on German etching paper
    36 x 36 in
    91.44 x 91.44 cm
    Edition 1 of 25
  • Alejandro Diaz Big Mac, 2020 Acrylic paint on canvas 40 x 40 in 101.6 x 101.6 cm
    Alejandro Diaz
    Big Mac, 2020
    Acrylic paint on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Alejandro Diaz Justice & Liberty for Pink Paintings, 2019-2020 Acrylic paint, wood and cardboard on canvas 36 x 48 in 91.44 x 121.92 cm
    Alejandro Diaz
    Justice & Liberty for Pink Paintings, 2019-2020
    Acrylic paint, wood and
    cardboard on canvas
    36 x 48 in
    91.44 x 121.92 cm
  • Alejandro Diaz A Room in Mexico, 2021 Acrylic paint on canvas 40 x 40 in 101.6 x 101.6 cm
    Alejandro Diaz
    A Room in Mexico, 2021
    Acrylic paint on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Alejandro Diaz The Kennedys, 2021 Acrylic paint on canvas 36 x 36 in 91.44 x 91.44 cm
    Alejandro Diaz
    The Kennedys, 2021
    Acrylic paint on canvas
    36 x 36 in
    91.44 x 91.44 cm
  • Alejandro Diaz Lost Our Lease, 2009 Mexican birdcage, hand-painted wood sign 10 x 8 x 9.5 in 25.4 x 20.32 x 24.13 cm Edition 4 of 10 plus 2 AP
    Alejandro Diaz
    Lost Our Lease, 2009
    Mexican birdcage, hand-painted wood sign
    10 x 8 x 9.5 in
    25.4 x 20.32 x 24.13 cm
    Edition 4 of 10 plus 2 AP
  • Alejandro Diaz From the Series of Great Prints: Frosted Flakes, 2019-2020 Archival color print on German etching paper 36 x 36 in 91.44 x 91.44 cm Edition of 25 (#1/25)
    Alejandro Diaz
    From the Series of Great Prints: Frosted Flakes, 2019-2020
    Archival color print on German etching paper
    36 x 36 in
    91.44 x 91.44 cm
    Edition of 25 (#1/25)
  • Alejandro Diaz White Lives, 2020 Acrylic paint on canvas 40 x 40 in 101.6 x 101.6 cm
    Alejandro Diaz
    White Lives, 2020
    Acrylic paint on canvas
    40 x 40 in
    101.6 x 101.6 cm
  • Alejandro Diaz Fiesta/Siesta, 2010-2022 Alternating pink and blue blinking neon on clear plexi 26 x 11 x 4.5 in 66 x 27.9 x 11.43 cm Edition 2 of 5 plus 2 AP
    Alejandro Diaz
    Fiesta/Siesta, 2010-2022
    Alternating pink and blue blinking neon on clear plexi
    26 x 11 x 4.5 in
    66 x 27.9 x 11.43 cm
    Edition 2 of 5 plus 2 AP
  • Alejandro Diaz Breakfast Tacos at Tiffany’s, 2003/2021 Performance/intervention in which hand-painted cardboard signs were sold and distributed to passersby in Manhattan’s Fifth Avenue shopping district. The work consists of a photograph printed on aluminum and a cast resin acrylic painted sign 31.5 x 19 in 80 x 48.26 cm Edition 1 of 3 plus 2 AP
    Alejandro Diaz
    Breakfast Tacos at Tiffany’s, 2003/2021
    Performance/intervention in which hand-painted cardboard signs were sold and distributed to passersby in Manhattan’s Fifth Avenue shopping district. The work consists of a photograph printed on aluminum and a cast resin acrylic painted sign
    31.5 x 19 in
    80 x 48.26 cm
    Edition 1 of 3 plus 2 AP
  • Alejandro Diaz Together But Separate, 2019 Acrylic paint on canvas 24 x 24 in each panel 61 x 61 cm each panel
    Alejandro Diaz
    Together But Separate, 2019
    Acrylic paint on canvas
    24 x 24 in each panel
    61 x 61 cm each panel
  • Alejandro Diaz Ceci n’est pas une pipe, 2007 Candelabra arm, acrylic on cast resin 8 x 20 in 20.32 x 50.8 cm Edition 1 of 3 plus 2 AP
    Alejandro Diaz
    Ceci n’est pas une pipe, 2007
    Candelabra arm, acrylic on cast resin
    8 x 20 in
    20.32 x 50.8 cm
    Edition 1 of 3 plus 2 AP
Installation Views
  • Ruiz Healy Alejandro Diaz 20220510 O0A4914 Photo By Daniel Terna
  • Ruiz Healy Alejandro Diaz 20220510 O0A4902 Photo By Daniel Terna
  • Ruiz Healy Alejandro Diaz 20220510 O0A4923 Photo By Daniel Terna
  • Ruiz Healy Alejandro Diaz 20220510 O0A4968 Photo By Daniel Terna
  • Ruiz Healy Alejandro Diaz 20220510 O0A4947 Photo By Daniel Terna
  • Ruiz Healy Alejandro Diaz 20220510 O0A4975 Photo By Daniel Terna
  • Ruiz Healy Alejandro Diaz 20220510 O0A5007 Photo By Daniel Terna
  • Ruiz Healy Alejandro Diaz 20220510 O0A5004 Edit Photo By Daniel Terna
Press
  • Alejandro Diaz, Kids in Cages, 2018-2019, Signed on the reverse, Acrylic paint on canvas, 30 x 30 in, 76.2 x 76.2 cm

    Alejandro Diaz: Words for White Walls

    Artishock Revista, June 14, 2022
    This link opens in a new tab.
  • Breakfast Tacos At Tiffany’s? Inside Alejandro Diaz's Must-See Art Exhibit!

    Guest of a Guest, May 17, 2022
    This link opens in a new tab.

Related artist

  • Alejandro Diaz

    Alejandro Diaz

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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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