![Alejandro Diaz, Ceci n’est pas une pipe, 2007](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/ruizhealyart/images/view/bc2a74f6299b049b5d86e88d7c5d1df5j/ruiz-healyart-alejandro-diaz-ceci-n-est-pas-une-pipe-2007.jpg)
![Alejandro Diaz, Ceci n’est pas une pipe, 2007](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/ruizhealyart/images/view/d0add714a164f5a834db369c9e65f113j/ruiz-healyart-alejandro-diaz-ceci-n-est-pas-une-pipe-2007.jpg)
Alejandro Diaz American, b. 1963
Ceci n’est pas une pipe, 2007
Candelabra arm, acrylic on cast resin
8 x 20 in
20.32 x 50.8 cm
20.32 x 50.8 cm
Edition 1 of 3 plus 2 AP
A series of found object sculptures crafted in the late 2000s during the Great Recession evoke surrealist and post-conceptual art practices, speaking to the complex and irrational realities that accompany...
A series of found object sculptures crafted in the late 2000s during the Great Recession evoke surrealist and post-conceptual art practices, speaking to the complex and irrational realities that accompany national crises. These concepts find relevance yet again in the Pandemic-era. Ceci n’est pas une pipe reimagines René Magritte’s 1929 painting with a cardboard sign and candelabra.
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