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Alejandro Diaz: Words for White Walls

Past exhibition
May 11 - July 8, 2022 New York City
Alejandro Diaz, Ceci n’est pas une pipe, 2007
Alejandro Diaz, Ceci n’est pas une pipe, 2007

Alejandro Diaz American, b. 1963

Ceci n’est pas une pipe, 2007
Candelabra arm, acrylic on cast resin
8 x 20 in
20.32 x 50.8 cm
Edition 1 of 3 plus 2 AP
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%3Cdiv%20class%3D%22artist%22%3EAlejandro%20Diaz%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECeci%20n%E2%80%99est%20pas%20une%20pipe%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2007%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECandelabra%20arm%2C%20acrylic%20on%20cast%20resin%3Cbr/%3E%0A%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E8%20x%2020%20in%20%3Cbr/%3E%0A20.32%20x%2050.8%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%201%20of%203%20plus%202%20AP%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Alejandro Diaz, Ceci n’est pas une pipe, 2007
  • (View a larger image of thumbnail 2 ) Alejandro Diaz, Ceci n’est pas une pipe, 2007
A series of found object sculptures crafted in the late 2000s during the Great Recession evoke surrealist and post-conceptual art practices, speaking to the complex and irrational realities that accompany...
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A series of found object sculptures crafted in the late 2000s during the Great Recession evoke surrealist and post-conceptual art practices, speaking to the complex and irrational realities that accompany national crises. These concepts find relevance yet again in the Pandemic-era. Ceci n’est pas une pipe reimagines René Magritte’s 1929 painting with a cardboard sign and candelabra.
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