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I Am Not Your Mexican

Past exhibition
May 24 - September 8, 2023 New York City
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Overview
Jesse Amado I Am Not Your Mexican, A Rapist, 2023, 100% virgin wool felt, acrylic on chicharron, silver chain, 30.5 in diameter, 77.5 cm
Jesse Amado I Am Not Your Mexican, A Rapist, 2023, 100% virgin wool felt, acrylic on chicharron, silver chain, 30.5 in diameter, 77.5 cm

Ruiz-Healy Art is pleased to present I Am Not Your Mexican, two concurrent group exhibitions, at our San Antonio and New York City galleries. The exhibitions are curated by writer Eduardo Egea and feature artists Jesse Amado, Mathias Goeritz, Hersúa, Willy Kautz - Jippies Asquerosos, Fernando Polidura, and Teresa Serrano. The exhibitions will include historical works by Goeritz, Hersúa, and Serrano.

 

Eduardo Egea notes, “Western Art built an artistic canon that influenced the rest of the world. Minimalism is one of the Post-War movements whose influence continues; within this movement the artist Eva Hesse created a Post-Minimalism practice that laid the foundation for its expansion. But how have artists from other latitudes dealt with the overwhelming dominance of Western contemporary art? Assimilating and transforming these influences, México has been, for decades, a rich laboratory to subvert Minimalism through Post-Minimalist practices that seek to give meaning to the timeless but rigid Minimalist geometric forms of which this exhibition gives an account.”

 

The exhibitions are titled after San Antonio based artist Jesse Amado’s series I Am Not Your Mexican, a title inspired by the writings of James Baldwin and the documentary film I Am Not Your Negro (2016). The film offers a history of the systematic marginalization of Black American historical figures and events through their misrepresentation (or under-representation) in mainstream historical narratives. The title’s reference serves as an entry point to understand art that may at first appear to be highly conceptual or purely abstract. Instead, the I Am Not Your Mexican seriescompels us to reconsider the art historical canon for the twenty-first century. The series is particularly important for its innovative use of chicharrón (pork rind) or Styrofoam fast food containers, products with both cultural and social-economic commentary. 

 

Other works in the exhibition feature the enduring influence of Post-Minimalism in Mexican and Mexican-American artists' works and show how these artists have expanded Post-Minimalism tenets. Using gilded metal Mathias Goeritz endows cryptic Minimalist geometric shapes with spiritual meaning in works like Mensaje forging geometry to a signification. Hersúa's work develops the interaction between viewer and sculpture with great originality and creates a personal version of Post-Minimalism by de-geometrizing his work. In Antipoema,Hersúa invites interaction between the viewer and the artwork through moveable panels that cover and uncover the text. Teresa Serrano works to deconstruct Minimalist machismo by endowing it with feminine and organic forms in sculptures as seen in Womb and Goddess of Fertility. Willy Kautz - Jippies Asquerosos expands on the spiritual and materialistic implications of gold in his works Alethèia and Noli Me Tangere while Fernando Polidura uses a combination of vinyl paint, paper, and shrink wrap film to mimic skin-like textures. 


As stated by Eduardo Egea,“Although this exhibition recognizes Western art contributions and shows how these legacies have been appropriated and adapted by the current Latin American post-periphery, the cultural knowledge of the “first world” has also been improved, innovated, and expanded by the art produced in México over the last decades. This exhibition is a glimpse into a fascinating, international macro-cultural phenomenon.”

 

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view exhibition on artsy

  • Jesse Amado Bio
  • Mathias Goeritz Bio
  • Hersúa Bio
  • Willy Kautz - Jippies Asquerosos Bio
  • Fernando Polidura Bio
  • Teresa Serrano Bio
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Works
  • Jesse Amado I Am Not Your Mexican, A Rapist, 2023 100% virgin wool felt, acrylic on chicharrón, silver chain 30.5 x 30.5 x 4 in 77.5 x 77.5 x 10.2 cm
    Jesse Amado
    I Am Not Your Mexican, A Rapist, 2023
    100% virgin wool felt, acrylic on chicharrón, silver chain
    30.5 x 30.5 x 4 in
    77.5 x 77.5 x 10.2 cm
  • Jesse Amado Take Out Brisquet Burger, 2023 Virgin wool felt and acrylic on styrofoam 24 x 24 x 4 in 61 x 61 x 10.2 cm
    Jesse Amado
    Take Out Brisquet Burger, 2023
    Virgin wool felt and acrylic on styrofoam
    24 x 24 x 4 in
    61 x 61 x 10.2 cm
  • Willy Kautz - Jippies Asquerosos Noli Me Tangere, 2020 Gold leaf on MDF 27.5 x 48 x 2 in 70 x 122 x 5.1 cm
    Willy Kautz - Jippies Asquerosos
    Noli Me Tangere, 2020
    Gold leaf on MDF
    27.5 x 48 x 2 in
    70 x 122 x 5.1 cm
  • Willy Kautz - Jippies Asquerosos Quid Pro Quo (the secret), 2018 Relief and gold leaf on guarro paper, Museograbado Zacatecas, México 14 x 14 in 35.6 x 35.6 cm Edition 11 of 20
    Willy Kautz - Jippies Asquerosos
    Quid Pro Quo (the secret), 2018
    Relief and gold leaf on guarro paper, Museograbado Zacatecas, México
    14 x 14 in
    35.6 x 35.6 cm
    Edition 11 of 20
  • Willy Kautz - Jippies Asquerosos Quid Pro Quo (suprasensible), 2018 Relief and gold leaf on guarro paper, Museograbado Zacatecas, México 14 x 14 in 35.6 x 35.6 cm Edition 11 of 20
    Willy Kautz - Jippies Asquerosos
    Quid Pro Quo (suprasensible), 2018
    Relief and gold leaf on guarro paper, Museograbado Zacatecas, México
    14 x 14 in
    35.6 x 35.6 cm
    Edition 11 of 20
  • Teresa Serrano Womb, 1994 Iron, mirror, and ceramic 36 x 20 x 19 in 91.4 x 50.8 x 48.3 cm
    Teresa Serrano
    Womb, 1994
    Iron, mirror, and ceramic
    36 x 20 x 19 in
    91.4 x 50.8 x 48.3 cm
  • Teresa Serrano Sketch for Womb, 1996 Ink on paper and collage 11 x 8.6 in / 28 x 22 cm Framed: 15 x 12.5 in / 38 x 31.75 cm
    Teresa Serrano
    Sketch for Womb, 1996
    Ink on paper and collage
    11 x 8.6 in / 28 x 22 cm

    Framed: 15 x 12.5 in / 38 x 31.75 cm
  • Teresa Serrano Sketch from the Goddess of Fertility Series, 1995 Mixed media on paper 19.8 x 11.8 in / 50 x 30 cm Framed: 19.25 x 15 in / 49 x 38 cm
    Teresa Serrano
    Sketch from the Goddess of Fertility Series, 1995
    Mixed media on paper
    19.8 x 11.8 in / 50 x 30 cm

    Framed: 19.25 x 15 in / 49 x 38 cm
  • Mathias Goeritz Mensaje, 1982 Mixografía® print on handmade paper, gold leaf 25 x 15 in 63.5 x 38.1 cm Edition of 50 plus 5 artist's proofs
    Mathias Goeritz
    Mensaje, 1982
    Mixografía® print on handmade paper, gold leaf
    25 x 15 in
    63.5 x 38.1 cm
    Edition of 50 plus 5 artist's proofs
  • Mathias Goeritz Mensaje, 1958-62 Hammered brass and metal fasteners on board 24 x 36 3/4 x 1/2 in 61 x 93.5 x 1.3 cm
    Mathias Goeritz
    Mensaje, 1958-62
    Hammered brass and metal fasteners on board
    24 x 36 3/4 x 1/2 in
    61 x 93.5 x 1.3 cm
  • Hersúa Modulo Urbano (maqueta), 1971 Automotive lacquer on wood 15.75 x 23.62 x 7.87 in 40 x 60 x 20 cm
    Hersúa
    Modulo Urbano (maqueta), 1971
    Automotive lacquer on wood
    15.75 x 23.62 x 7.87 in
    40 x 60 x 20 cm
  • Hersúa Untitled, 1967 Acrylic on colored cardboard and straws 19.5 x 15.75 x 2 in 49.5 x 40 x 5.1 cm
    Hersúa
    Untitled, 1967
    Acrylic on colored cardboard and straws
    19.5 x 15.75 x 2 in
    49.5 x 40 x 5.1 cm
  • Hersúa Ambiente Circular (maqueta), 1973 Acrylic on cardboard 12 x 9 x 9 in 30.5 x 30 x 30 cm
    Hersúa
    Ambiente Circular (maqueta), 1973
    Acrylic on cardboard
    12 x 9 x 9 in
    30.5 x 30 x 30 cm
  • Fernando Polidura CF Eleven, 2023 Human hair embroidered on cotton paper 9.3 x 11.8 x 2.4 in 23.4 x 29.8 x 6 cm
    Fernando Polidura
    CF Eleven, 2023
    Human hair embroidered on cotton paper
    9.3 x 11.8 x 2.4 in
    23.4 x 29.8 x 6 cm
  • Fernando Polidura CF Twelve, 2023 Human hair embroidered on cotton paper 8.3 x 7.8 x 2.4 in 21 x 19.6 x 6 cm
    Fernando Polidura
    CF Twelve, 2023
    Human hair embroidered on cotton paper
    8.3 x 7.8 x 2.4 in
    21 x 19.6 x 6 cm
  • Fernando Polidura Thirty-second Adjustment, 2023 Vinyl paint, paper, shrink wrap film 13.9 x 20.3 x 1.4 in 35.3 x 51.3 x 3.5 cm
    Fernando Polidura
    Thirty-second Adjustment, 2023
    Vinyl paint, paper, shrink wrap film
    13.9 x 20.3 x 1.4 in
    35.3 x 51.3 x 3.5 cm
  • Fernando Polidura Twenty-eighth Adjustment , 2023 Vinyl paint, paper, shrink wrap film 9.5 x 6.9 x 1.4 in 24 x 17.5 x 3.5 cm
    Fernando Polidura
    Twenty-eighth Adjustment , 2023
    Vinyl paint, paper, shrink wrap film
    9.5 x 6.9 x 1.4 in
    24 x 17.5 x 3.5 cm
  • Fernando Polidura Twenty-ninth Adjustment, 2023 Vinyl paint, paper, shrink wrap film 9.5 x 6.9 x 1.4 in 24 x 17.5 x 3.5 cm
    Fernando Polidura
    Twenty-ninth Adjustment, 2023
    Vinyl paint, paper, shrink wrap film
    9.5 x 6.9 x 1.4 in
    24 x 17.5 x 3.5 cm
  • Fernando Polidura Thirtieth Adjustment, 2023 Vinyl paint, paper, shrink wrap film 9.5 x 6.9 x 1.4 in 24 x 17.5 x 3.5 cm
    Fernando Polidura
    Thirtieth Adjustment, 2023
    Vinyl paint, paper, shrink wrap film
    9.5 x 6.9 x 1.4 in
    24 x 17.5 x 3.5 cm
  • Fernando Polidura Twenty-eighth Adjustment, Twenty-ninth Adjustment, Thirtieth Adjustment Triptych, 2023 Vinyl paint, paper, shrink wrap film 9.5 x 6.9 x 1.4 in each 24 x 17.5 x 3.5 cm
    Fernando Polidura
    Twenty-eighth Adjustment, Twenty-ninth Adjustment, Thirtieth Adjustment Triptych, 2023
    Vinyl paint, paper, shrink wrap film
    9.5 x 6.9 x 1.4 in each
    24 x 17.5 x 3.5 cm
Installation Views
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
  • Installation image by Daniel Terna
    Installation image by Daniel Terna
Press
  • I Am Not Your Mexican Expands Post-Minimalist Boundaries

    Emma Ahmad, Southwest Contemporary, August 25, 2023
    This link opens in a new tab.
  • Out With the Muralists, in With the Minimalists in “I Am Not Your Mexican”

    Barbara Purcell, Glasstire, July 19, 2023
    This link opens in a new tab.
Publications
  • I Am Not Your Mexican I Ruiz-Healy Art, New York

    I Am Not Your Mexican I Ruiz-Healy Art, New York

    Essay by Eduardo Egea Ruiz-Healy Art, 2023 Read more
  • Cinetismo: movimiento y transformación en el arte de los 60 y 70

    Cinetismo: movimiento y transformación en el arte de los 60 y 70

    Essays on Pedro Friedeberg and Hersúa Daniel Garza Usabiaga, Jennifer Josten, Luis Urias Hermosillo, and Álvaro Vázquez Mantencón, 2012
    Hardcover 158 pages
    Publisher: Museo de Arte Moderno
    ISBN: 9786076051733
    Dimensions: 9 X 10 in
    Read more

Related artist

  • Jesse Amado

    Jesse Amado

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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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