Richard 'Ricky' Armendariz: The Gods Wait to Delight in You...C.B.

Ruiz-Healy Art is pleased to present Richard 'Ricky' Armendariz: The Gods Wait to Delight in You…C.B., a solo exhibition of works by Texas-based artist Richard ‘Ricky’ Armendariz at our New York City gallery. This is Armendariz’s fourth solo exhibition with the gallery and his first solo exhibition at a gallery in New York City. The exhibit will open on Thursday, February 8th, with an opening reception with the artist from 6:00-8:00 PM; it will be on view through March 29th, 2024. The exhibit features new woodblock prints along with unique oil on carved Baltic birch reliefs that illustrate traditional printmaking techniques and non-traditional carving techniques. The result displays the intricate mark-making process and allows multiple colors to shine through in the crevices of the carved wood.

Armendariz’s work explores the American Southwest’s cultural and biographical narratives drawn from classic novels, poetry, Tejano, and country music lyrics. Much of Armendariz’s work references song lyrics, reinforcing the link between words' nuanced meanings and imagery. The exhibition takes its title from a Charles Bukowski poem, The Laughing Heart: “You can’t beat death but/ You can beat death in life, sometimes./ And the more often you learn to do it,/ The more light there will be./ Your life is your life./ Know it while you have it./ You are marvelous/ The gods wait to delight/ In you.”

Throughout his career, the animal world has been a significant source of inspiration, representing emotions, conflicts, personal experiences, and more. Armendariz incorporates highly saturated color choices that pay homage to astrological signs, the supernatural, and song lyrics. Armendariz’s opus references Greek and Mesoamerica mythology and iconography alongside Mexican, American, and Indigenous cultures and the flora and fauna native to the American Southwest. The archetypical animals, coyotes, rabbits, owls, and birds, are enigmatic and reused and, in turn, recontextualized by the artist, becoming antagonists and protagonists. Anthropomorphized animals in motion serve as stand-ins for the metaphorical and literal idea of the movement of people, whether forced or involuntary. 

Animals in flux make up the exhibition: hawks fly down in the air together, rabbits and birds flee, and a female skeleton rides her horse. The Predicament features an owl in flight holding a fire stick, symbolic of knowledge, and emulates the idea of choosing understanding or blissful ignorance. In Wish I Could Leave Well Enough, a coyote and other fauna are fleeing an unseen danger, taking with them knowledge, as represented by the burning stick in the mouth of the coyote. The desire to assign symbolism to animals sharing our world connects human cultures across time. Armendariz states that many works in the exhibition are “tied to our current state of the border, the exodus of people from one country to another, looking for a better life.”