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Cisco Jiménez: Paradojas en Frecuencia Modulada

Past exhibition
September 10 - November 1, 2024 New York City
Cisco Jiménez, Diosa de la Fertilidad, 2022
Cisco Jiménez, Diosa de la Fertilidad, 2022
Cisco Jiménez, Diosa de la Fertilidad, 2022

Cisco Jiménez Mexican, b. 1969

Diosa de la Fertilidad, 2022
Signed, dated and titled on the reverse
40 x 26 in
101.6 x 66 cm
Inquire
%3Cdiv%20class%3D%22artist%22%3ECisco%20Jim%C3%A9nez%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDiosa%20de%20la%20Fertilidad%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ESigned%2C%20dated%20and%20titled%20on%20the%20reverse%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E40%20x%2026%20in%3Cbr/%3E%0A101.6%20x%2066%20cm%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Cisco Jiménez, Corte geologico con repisa, 2021
  • (View a larger image of thumbnail 2 ) Cisco Jiménez, Corte geologico con repisa, 2021
  • (View a larger image of thumbnail 3 ) Cisco Jiménez, Corte geologico con repisa, 2021
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Jiménez’s studio is in Cuernavaca, Mexico, where the Popocatépetl, the most active volcano in Mexico lies, heeds warnings from those nearby, reminding residents to respect and revere Mother Earth. Depicting...
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Jiménez’s studio is in Cuernavaca, Mexico, where the Popocatépetl, the most active volcano in Mexico lies, heeds warnings from those nearby, reminding residents to respect and revere Mother Earth. Depicting the form of Diosa de la Fertilidad, the volcanic fertility goddess, emerging from the landscape exhibits the beautiful yet forceful way nature brings life through destruction. The geological phenomenon of volcanoes has been revered and feared for centuries as the potential of mass destruction also yields rejuvenating effects on ecosystems.
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Exhibitions

Cisco Jimenez: Paradojas en Frecuencia Modulada, Ruiz-Healy Art, New York, NY, 2024

Literature

Aguilar, Jazmin. “Cisco Jiménez: Un Artista de Contrastes y Modernidad.” La Jornada, September 8, 2024 (illustrated)
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