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Threading Glass

Current exhibition
April 9 - May 31, 2025 San Antonio
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992
Consuelo Jimenez Underwood, Resistencia Yaqui, 1992

Consuelo Jimenez Underwood American, b. 1949

Resistencia Yaqui, 1992
Loom woven in three panels. Painted, mixed media. Linen, cotton, synthetic threads. Paper, textile paint, leather barbed wire
72 x 46 in
182.9 x 116.8 cm
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Further images

  • (View a larger image of thumbnail 1 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
  • (View a larger image of thumbnail 2 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
  • (View a larger image of thumbnail 3 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
  • (View a larger image of thumbnail 4 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
  • (View a larger image of thumbnail 5 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
  • (View a larger image of thumbnail 6 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
  • (View a larger image of thumbnail 7 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
  • (View a larger image of thumbnail 8 ) Einar and Jamex de la Torre, Virgen Nopalera, 2023
View on a Wall
After visiting the Yaqui pueblos in Sonora, Mexico, Jimenez Underwood was struck by the tenacity and strength of their indigenous culture and began working on Resistencia Yaqui. Although the culture...
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After visiting the Yaqui pueblos in Sonora, Mexico, Jimenez Underwood was struck by the tenacity and strength of their indigenous culture and began working on Resistencia Yaqui. Although the culture continued to survive, it had come at the cost of unnecessary death, which left its mark on the community, resulting in a state of instability. This loom-woven piece alternates dark and light sections of two different weave structures to signify the “balancing of movement, time, society, and how it shifts from one change to another.” The scale of this piece is also intentional. As a mid-size, or “human-size” piece, as the artist calls it, the artwork inherently challenges the viewer, demanding respect.
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Exhibitions

Threading Glass: Consuelo Jimenez Underwood, and Einar and Jamex de la Torre, Ruiz-Healy Art, San Antonio, TX, 2025
Ruiz-Healy Art at The Armory Show, New York, NY; curator: Candice Hopkins, 2023
Consuelo Jimenez Underwood: Threads from Border-landia
, Ruiz-Healy Art, New York, NY, 2022

Publications

Laura E. Perez and Ann Marie Leimer, eds., Consuelo Jimenez Underwood: Art, Weaving, Vision, Durham, North Carolina: Duke University Press, 2022
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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

Ruiz-Healy Art, New York

Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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