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Ricky Armendariz: In the Belly of the Beast

Past exhibition
November 6 - December 6, 2014 San Antonio
  • Overview
  • Works
  • Installation Views
  • Press
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Overview
Richard Armendariz, Zeus Dreams of Himself, 2014, Oil on carved plywood, 48 x 60", 121.9 x 152.4 cm
Richard Armendariz, Zeus Dreams of Himself, 2014, Oil on carved plywood, 48 x 60", 121.9 x 152.4 cm

Born in El Paso, Texas, Armendariz is known for his carved paintings and text-based imagery. The artworks begin as moody depictions in oil on panel of desert sunsets or night skies: subjects much beloved by Romantic painters such as J.M.W. Turner, but Armendariz landscapes contain power dynamics, Native American stories intertwined with Greek mythologies, and a thread of tragedy runs throughout. The text is inscribed in the discourse of the U.S./Mexico border using a dialogue combining both Spanish and English, grounding Armendariz in his roots.


Into this lush backdrop, Armendariz cuts intricate images of birds, animals, totems of life in the Southwest and emblems of motion and conflict. Phrases of his own invention or culled from song lyrics are added; in some pieces, words dominate the work. In one of Armendariz’s recent paintings Haiku paño, the text “no necesita un weatherman sabes que which way the wind blows” dances among tokens of good and bad luck repeating Bob Dylan’s famous line in code-switching brilliance. In another, a sailing ship voyages onward proclaiming 'No tengo suerte for Love" (I don’t have luck for Love). Bisons--symbols of Indigenous America--abound, garlanded by flowers, butting heads, and pecked by birds. A raven, the bird of omens, fills one painting rendered in fine cuts that recall papel picado, cut-paper folk art. From its beak, a banner spills, emblazoned with a single word: sucio. Used to admonish a child, sucio means dirty, filthy--or sinful.

 

Armendariz developed his tiered technique early in his career.  His appropriation of sunsets–a trope of landscape painting–has symbolic power for the artist. “Landscape is synonymous with our culture,” says Armendariz, speaking of the Tejano identification with the staggering expanse of land and sky that is Texas.

 

Like the marks of civilization in the wilderness, the incision of words, images or both, “scars, tattoos–literally defaces the painting,” Armendariz says. “The painting surface is usually sacrosanct–something you don’t want to mess with. There is risk involved–when you carve, you cannot repair the cut. If there is a misstep, a misspelling, you cannot reverse it.”

 

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Works
  • Richard 'Ricky' Armendariz Saturn and His Children, 2014 Woodblock print 36 x 48 in 91.4 x 121.9 cm Edition 5 of 10
    Richard 'Ricky' Armendariz
    Saturn and His Children, 2014
    Woodblock print
    36 x 48 in
    91.4 x 121.9 cm
    Edition 5 of 10
  • Richard 'Ricky' Armendariz How Bear Lost Fire (remix), 2014 Woodblock print 36 x 48" 91.4 x 121.9 cm 2 / 5
    Richard 'Ricky' Armendariz
    How Bear Lost Fire (remix), 2014
    Woodblock print
    36 x 48"
    91.4 x 121.9 cm
    2 / 5
  • Richard 'Ricky' Armendariz Tu Eres Loca pero Yo Te Quiero Anyway, 2014 Oil on carved plywood 48 x 48" 121.9 x 121.9 cm
    Richard 'Ricky' Armendariz
    Tu Eres Loca pero Yo Te Quiero Anyway, 2014
    Oil on carved plywood
    48 x 48"
    121.9 x 121.9 cm
  • Richard 'Ricky' Armendariz Loca Loca Loca, 2014 Oil on carved plywood 24 x 24" 61 x 61 cm
    Richard 'Ricky' Armendariz
    Loca Loca Loca, 2014
    Oil on carved plywood
    24 x 24"
    61 x 61 cm
  • Richard 'Ricky' Armendariz How Crow Helps Whale to Sea (remix), 2014 Woodblock print 36 x 48" 91.4 x 121.9 cm 4 / 5
    Richard 'Ricky' Armendariz
    How Crow Helps Whale to Sea (remix), 2014
    Woodblock print
    36 x 48"
    91.4 x 121.9 cm
    4 / 5
  • Richard 'Ricky' Armendariz Zeus Dreams of Himself, 2014 Oil on carved plywood 48 x 60" 121.9 x 152.4 cm
    Richard 'Ricky' Armendariz
    Zeus Dreams of Himself, 2014
    Oil on carved plywood
    48 x 60"
    121.9 x 152.4 cm
Installation Views
  • Install5
  • Install2
  • Install1
  • Install6
  • Install3
  • Install4
Press
  • Richard 'Ricky' Armendariz, Lo Siento Pretty Darlin Nah Just Kidding, 2014, Oil on carved plywood, 24 x 24 in

    Artist delves into 'Belly of the Beast’

    Elda Silva, San Antonio Express-News, November 11, 2014
Publications
  • Ricky Armendariz: In the Belly of the Beast I Ruiz-Healy Art

    Ricky Armendariz: In the Belly of the Beast I Ruiz-Healy Art

    Essay by Scott Andrews 2014
    Hardcover 36 pages
    Publisher: Ruiz-Healy Art
    ISBN: 978-1367466265
    Dimensions: 8 x 10 in
    Read more

Related artist

  • Richard 'Ricky' Armendariz

    Richard 'Ricky' Armendariz

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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

201-A East Olmos Drive, San Antonio, Texas 78212 

 

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Open Wednesday - Friday from 11AM to 5PM and by appointment | 646.833.7709

74 East 79th Street, 2D, New York, New York 10075

  

 

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