Celia Álvarez Munoz American, b. 1937
Alvarez Muñoz is a Mexican American conceptual multimedia artist who is known for her photography, painting, installations, and public art, as well as for her writing. Born in El Paso, Texas, Álvarez Muñoz's work addresses the dichotomy of living between two cultures. Common themes in her practice include: Catholicism, Mexican American experience, the past versus the present and English versus Spanish language. The artist incorporates themes of family and "communal memories" in her pieces. She uses text and images in her work to explore the ambiguous signs and signifiers where cultures meet and to communicate stories of American history, culture, and society.
She studied at Texas Western University (now University of Texas) in El Paso, taking mostly commercial art classes. Quickly thereafter she began teaching art to children. After relocating several times to different parts of the country, Álvarez Muñoz and her husband and their two small children returned to Texas, to Arlington. In 1977, at the age of forty, she enrolled in graduate school at North Texas State University (NTSU; now University of North Texas) in Denton. There she took courses with the artists Vernon Fisher (b.1943) and Al Souza (b.1944), who influenced her conceptual practice across mediums, from artist's books and photographs to installations and public works. While attending NTSU, she began work on her series Enlightenment.Enlightenment tapped into her memories of growing up along the Mexican border in the aftermath of the Great Depression. Deeply committed to her bilingual and bicultural heritage, the artist plays with text, puns, and double meanings, regularly addressing such themes as cognitive development and language acquisition.
Her most recent work continues to relate to the experiences of living in the physical as well as the psychological and political border zone. Álvarez Muñoz has received numerous awards, including two National Endowment for the Arts grants (1988, 1991). Her work has been exhibited widely in group exhibitions, such as the Whitney Biennial (1991), and in solo presentations at the Museum of Contemporary Art San Diego (1991); Dallas Museum of Art (1991); Capp Street Project, San Francisco (1994); and University of Texas at Arlington (2002). Her work has been acquired by public collections, including the Art Institute of Chicago; Getty Research Institute, Los Angeles; Museum of Contemporary Art Chicago; and Museum of Fine Arts, Houston. Muñoz’s work was included in the invitational traveling exhibition Our Journeys/Our Stories: Portraits of Latino Achievement by the Smithsonian Institution and Radical Women: Latin American Art, 1960–1985, among other exhibits.
Celia Álvarez MuñozQuince (Fifteen), 2007Serigraph26 x 22 in
66 x 55.9 cmEdition of 48
Celia Álvarez MuñozSweet Nothings, 1998Photoetching and silkscreen19.5 x 26 in
49.5 x 66 cmEdition of 50
Celia Álvarez MuñozTolido (Spanglish Toilet), 1997Silkscreen26 x 22 in
66 x 55.9 cmEdition of 48
Celia Álvarez MuñozPlease Don't Paint My Brown Eyes Blue, 19943-D Photoetching40 x 30 in
101.6 x 76.2 cmEdition of 50
Celia Álvarez MuñozEnlightenment #4: Which Came First?, 1982Five-color photographs, letterpress on rag paper, and graphite on Gekkeikan homespun paper12 x 19 in
30.5 x 48.3 cm8 / 10
McNay Print FairSan Antonio April 29 - May 1, 2022 San AntonioRuiz-Healy Art is thrilled to participate in the 26th edition of the McNay Print Fair, the only major print fair in the Southwestern United States. Ruiz-Healy Art is delighted to feature prints by Marta Sánchez, Richard Armendariz, Juan de Dios Mora, Ethel Shipton, and Celia Álvarez Muñoz, among others.
23rd Annual McNay Print FairMcNay Museum of Art, San Antonio March 2 - 3, 2019 San AntonioRuiz-Healy Art presents works at the McNay's 23rd annual Print Fair.Artists featured at the McNay Print Fair will include: Jennifer Ling Datchuk, Ethel Shipton, Rufino Tamayo, Nate Cassie, Graciela Iturbide, Chuck Ramirez, Pedro Friedeberg, Pedro Diego Alvarado, Mark Schlesinger, and Richard Armendariz.
Celia Alvarez MuñozEssay by Roberto Tejada Roberto Tejada, 2009 Hardcover, 128 pages
Publisher: UCLA Chicano Studies Research Center
Dimensions: 6.5 x 0.7 x 9.5 inches
Mel Casas & César A. MartínezChicano Art: Resistance and Affirmation, 1965-1985 Richard Criswold Del Castillo, Teresa McKenna & Yvonne Yarbro-Bejarano, editors, 1991 Softcover, 373 pages
Publisher: Wight Art Gallery, University of California, Los Angeles
Dimensions: 9.25 x 1.25 x 12.5 in
Our America: The Latino Presence in American ArtEssay by E. Carmen Ramos, and introduction by Tomás Ybarra-Frausto E. Carmen Ramos, 2014 Hard Cover, 368 pages
Publisher: Smithsonian American Art Museum
Dimensions: 10 x 12"