Alejandro Diaz American, b. 1963

Based in New York, Alejandro Diaz developed his distinct body of work while growing up in San Antonio, Texas, and living in México City from 1990 to 1994. This background deeply informed his art, which reflects the complex and visually rich cultural environment of South Texas and Mexico. He received an MFA from the Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY, in 1999 and a BFA from the University of Texas at Austin in 1987. While residing in México City, he was part of the inner circle of artists who lived and worked around the Calle Licenciado Verdad. He was an Artist-in-Residence at Artpace, San Antonio in 1996, curated by Mary Beebe, Benito Huerta, Anthony Jones, Richard Koshalek, Lowery Sims, and Dianne Vanderlip, and co-founded Sala Diaz Gallery, a nonprofit contemporary art venue in San Antonio, Texas, in 1995.

In both his artistic and curatorial practice, Diaz has prioritized the inclusion and representation of lesser-known or rarely validated cultural expressions. His artwork is often tinged with humor, sometimes making self-deprecating jokes about the “seriousness” of artmaking, other times delivering biting socio-political commentary under the guise of light-hearted wit. Diaz's conceptual, campy, and political cardboard signs, which he began making and

selling on the streets of Manhattan in the late 1990s, are emblematic of his recurrent use of everyday materials, use of multiple media, and his ongoing engagement with art as activism, public intervention, and entertainment.

Winner of the In the Public Realm competition in 2005, Diaz was commissioned by the Public Art Fund to create 4 large-scale sculptures/planters in the form of oversized Mexican grocery store canned products, sited on the Grand Concourse in the Bronx. Standing in for the process of assimilation, the Mexican products Diaz chose to replicate were rapidly becoming part of American mainstream culture.

In 2007, Diaz was the recipient of the prestigious Louis Comfort Tiffany Foundation Award, and in 2008, Diaz was selected to participate in a group exhibition, Phantom Sightings: Art After the Chicano Movement, organized and exhibited at LACMA. The groundbreaking exhibition traveled to Mexico City, Houston, San Antonio, and New York City. Diaz has had a solo project at the critically acclaimed Aldrich Contemporary Art Museum in Ridgefield, CT (2009), with additional solo exhibitions at Jessica Murray Projects, NY (2001), the RISD Museum of Art, RI (2012), and the Linda Pace Foundation in San Antonio, TX (2015).

Diaz's work has been reviewed in publications such as The New Yorker, The New York Times, Art in America, the LA Times, Flash Art, Artforum, and Frieze. His work, among others, is in the collections of the Smithsonian Museum of Art, Washington D.C.; LACMA, Los Angeles, CA; El Museo del Barrio, New York, NY; Scottsdale Museum of Contemporary Art, Scottsdale, AZ; Fundación Colección Jumex, Mexico City, Mexico; RISD Museum of Art, Providence, RI; Blanton Museum of Art, Austin, TX; McNay Art Museum, San Antonio, TX; The National Museum of Mexican Art, Chicago, IL; Ruby City, San Antonio, TX.

VIEW ARTWORKS ON ARTSY