In "White Fence," Iturbide took various shots of Rosario in her kitchen, smoking a joint of marijuana, her gaze steady and self-contained. A recurring presence in Iturbide’s series, she embodies the blurred line between motherhood and gang life. Once photographed with her baby, Rosario’s domestic rituals coexist with the street's codes, revealing how care and survival intertwine. Her image resists stereotypes—she is both a nurturer and a participant, a mother and a member. Through her, Iturbide exposes the intimate realities of Chicana womanhood, where tenderness persists even within the harsh rituals of belonging.