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  • Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986
    Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986
    Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986
    Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986

    Graciela Iturbide Mexican, b. 1942

    Cholos Harpys, East Los Ángeles, 1986
    Silver Gelatin Print
    16 x 20 in
    40.6 x 50.8 cm
    Inquire
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    Further images

    • (View a larger image of thumbnail 1 ) Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986
    • (View a larger image of thumbnail 2 ) Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986
    • (View a larger image of thumbnail 3 ) Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986
    • (View a larger image of thumbnail 4 ) Graciela Iturbide, Cholos Harpys, East Los Ángeles, 1986
    Utilizing the heavy sunlight, Iturbide captures the stark shadows of four members of the White Fence group. They use Cholo signaling to cast a shadow puppet-like scene on a concrete...
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    Utilizing the heavy sunlight, Iturbide captures the stark shadows of four members of the White Fence group. They use Cholo signaling to cast a shadow puppet-like scene on a concrete wall. Because some of the White Fence members were hearing impaired, this invites reflection on their “hand signs” as expressions of communication, not just symbols of gang identity. According to the essay "White Fence Revisited" by Alfonso Morales Carillo, the wall had previously been covered in graffiti. While it technically remains bare in the photograph, the gang members reclaim the graffiti by adding their own temporary version through their shadows.

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    Provenance

    Graciela Iturbide's Studio

    Exhibitions

    Graciela Iturbide: Serious Play, The International Center of Photography, New York, NY; curator: Carlos Gollonet, 2025 (catalogue)
    Graciela Iturbide: Las Californias, Ruiz Healy Art, New York, NY, 2025 (catalogue)
    Picturing the Border, Cleveland Museum of Art; curator: Nadiah Rivera Fellah, 2024 (catalogue)
    Graciela Iturbide, Heliotropo 37, Fondation Cartier, Paris, France; curators: Alexis Fabry and Marie Perennès, 2022 (catalogue)
    The Goat's Dance: Photographs by Graciela Iturbide, J. Paul Getty Museum at the Getty Center, Los Angeles; curator: Judith Keller, 2007-08 (cataglogue)

    Literature

    “Graciela Iturbide: Las Californias,” Meer, November 8, 2025. (illustrated)

    Publications

    Exhibition catalogue, Graciela Iturbide: Serious Play. Madrid: Fundación MAPFRE and Editorial RM, 2025, p. 200 (illustrated)
    Exhibition catalogue, Graciela Iturbide: Las Californias. New York: Ruiz Healy Art, editor: Patricia Ruiz-Healy, 2025 (illustrated)
    Iturbide, Graciela. White Fence. Mexico City: Editorial RM, 2023, p. 111-112 (illustrated)
    Iturbide, Graciela, and Alfonso Morales Carrillo. White Fence. Barcelona: Editorial RM, 2024, pp. 111-112 (illustrated)
    Exhibition catalogue, Rivera Fellah, Nadiah. Picturing the Border, Cleveland: Cleveland Museum of Art, 2024, p. 99 (illustrated)
    Exhibition catalogue, Graciela Iturbide, Heliotropo 37, Fondation Cartier, Paris, France, 2022, p. 266 (illustrated)
    Exhibition catalogue, Coronel Rivera, Juan Rafael, et al. Graciela Iturbide: Cuando Habla La Luz. Mexico City: Editorial RM, 2017, p. 6-7 (illustrated)
    Exhibition catalogue, Iturbide, Graciela. Graciela Iturbide, Madrid: Fundación Mapfre, 2009, p. 188 (illustrated)
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Ruiz-Healy Art, San Antonio

Open Wednesday - Saturday from 11AM to 4PM and by appointment | 210.804.2219

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74 East 79th Street, 2D, New York, New York 10075

  

 

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