Tamayo's artistic style was a rich blend of international modernism and traditional Mexican indigenous art. From his time in New York (1926 to 1936), his body of work continued to evolve. Later, in Paris (beginning in 1957), Tamayo focused on creating universal, non-political art. "Deux têtes" is a prime example from his years in Paris. It reflects his Mexican roots and international influences by exploring form through fragmented compositions. The female figure in this lithograph is particularly symbolic of Tamayo's native Oaxaca and its ancient civilizations. She wears the traditional Tehuana headdress, or "Resplandor" (Huipil Grande), often described as a "starched halo" that frames her face and flows over her shoulders. This headdress is worn during religious ceremonies and important social events.