IFPDA Fine Art Print Fair
Ruiz-Healy Art is pleased to announce the gallery's sixth year of participation in the 30th edition of the International Fine Print Dealers Association (IFPDA), the world's largest art fair for prints and editions. The Fine Print Fair occurs from October 26 to 29 at The River Pavilion, Jacob K. Javits Center in New York City. Please visit us at booth 409. The gallery is honored to present works by Alejandro Diaz, Celia Álvarez Muñoz, César A. Martínez, Consuelo Jimenez Underwood, Ethel Shipton, Juan de Dios Mora, Lina Puerta, Nate Cassie, Richard "Ricky" Armendariz, Mathias Goeritz, and Willy Kautz-Jippies Asquerosos. Encompassing works from the 1980s to 2023, the Figurative and Conceptual artists presented seek inspiration from the natural and spiritual worlds and immigrant experience and identity.
The International Fine Print Dealers Association (IFPDA) is a non-profit organization of leading art dealers and galleries with expertise in the field of fine prints. Members are committed to the highest standards of quality, ethics, and connoisseurship, and to promoting a greater appreciation of fine prints among collectors and the public. Members are selected only after a rigorous application process; the dealers must exhibit a high level of expertise, adhere to a strict code of conduct with professional integrity, be invited by another member dealer, and will not even be considered unless established in business for at least five years. Ruiz-Healy Art is one of only two such member dealers in the state of Texas and the only member in the city of San Antonio. For inquiries regarding the IFPDA Fine Art Print Fair please contact info@ruizhealyart.com or call us at 646.833.7709 or 210.804.2219.
Location
The River Pavillion, Jacob K. Javits Center, 429 11th Avenue, New York, NY 10001
Fair Schedule
VIP Preview (by invitation)
Thursday, October 26th: 12 - 8 PM
Public Days
Friday, October 27th: 11 AM - 7 PM
Saturday, October 28th: 11 AM - 7 PM
Sunday, October 29th: 11 AM - 5 PM
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César A. MartínezBato con Sunglasses, 2009Copperplate line and aquatint etching, University of Texas, San Antonio.19.5 x 16 in
49.5 x 40.6 cm20 / 30 -
César A. MartínezSerape: 28 IX 23, 2023Acrylic on Arches watercolor paper22.5 x 30 in
57.1 x 76.2 cm -
César A. MartínezBato Azul, 19864-color Lithograph. KJH Press, Austin, TX by Ken Hale Master Printmaker.
Edition of 44, 4 AP, 2 CTP
30 x 22 in
76.2 x 55.9 cm20/44 -
Willy Kautz - Jippies AsquerososQuid Pro Quo, 2018Relief and gold leaf on guarro paper, Museograbado Zacatecas, México15 x 15 x 1.5 in
38.1 x 38.1 x 3.8 cmEdition of 20, 2 A/P, 2 P/P, 2 H/C, 1 BAT (#4/20) Full Set (7 reliefs) -
César A. MartínezSerape: Pirulí , 2023Acrylic on Arches watercolor paper22.5 x 30 in
57.1 x 76.2 cm -
Willy Kautz - Jippies AsquerososQuid Pro Quo (suprasensible), 2018Relief and gold leaf on guarro paper, Museograbado Zacatecas, México14 x 14 in
35.6 x 35.6 cmEdition 11 of 20 -
Mathias GoeritzMensaje, 1982Mixografía® print on handmade paper, gold leaf25 x 15 in
63.5 x 38.1 cmEdition of 50 plus 5 artist's proofs -
Juan de Dios MoraAsi Como Voy, Asi Llego, 2016Linocut29.3 x 19.8 in
74.4 x 50.3 cmEdition of 10 -
Alejandro DiazBoy on a Burro, 2017Hand colored silkscreen print16 x 12 in
40.6 x 30.5 cm3/9 -
Juan de Dios MoraNo me Falles Vaca, Nos Falta Poco en Este Viaje! (Don't Fail Me Cow, Our Journey is Coming to an End), 2011Linocut26 x 35 in
66 x 88.9 cmEdition of 6 -
Alejandro DiazFrom the Series of Great Prints: Jerry Garcia, 2019-2020Archival color print on German etching paper36 x 36 in
91.44 x 91.44 cmEdition 2 of 25 -
Consuelo Jimenez UnderwoodMe, Myself, and I, 2022Silkscreen on Rives paper, ten runs, stitched with synthetic threads
Coronado Print Studio22 x 30 in
55.9 x 76.2 cmEdition of 34, 2 AP, 2 TP -
Consuelo Jimenez UnderwoodVirgen de los Nopales, 2005Silkscreen on Coventry paper, stitched with cotton and synthetic threads, Self-Help Graphics, LA.20 x 26 in
50.8 x 66.04 cmEdition of 72 -
Celia Álvarez MuñozSweet Nothings, 1998Photoetching and silkscreen, Flatbed Press, Austin, TX19.5 x 26 in
49.5 x 66 cmEdition of 50 -
Celia Álvarez MuñozPlease Don't Paint My Brown Eyes Blue, 19943-D Photoetching40 x 30 in
101.6 x 76.2 cmEdition of 50 -
Ethel ShiptonCambio/Change, 2020Screenprint15 x 22 in
38.1 x 55.9 cmEdition of 30 plus 10 artist's proofs -
Ethel ShiptonThe Valley - RGV: Alice, 2021Archival print on Hahnemuehle-German etching matte paper24 x 36 in
61 x 91.4 cmEdition of 8 plus 1 artist's proof -
Richard 'Ricky' ArmendarizThe Predicament, 2023Woodblock print, Hare & Hound Press49.75 x 30.5 in
126.4 x 77.5 cmEdition of 5 -
Richard 'Ricky' ArmendarizIf You Can Keep Your Head, Anderson Ranch Residency, CO,, 2022Woodblock on Japanese paper20 x 20 in
50.8 x 50.8 cmEdition of 4 -
Richard 'Ricky' ArmendarizLucky (Suertudo) Anderson Ranch Residency, CO,, 2022Woodblock on Japanese paper20 x 20 in
50.8 x 50.8 cmEdition of 4 -
Nate CassieCentral Park Inversion, 2023Photopolymer photogravure, Hare & Hound Press, San Antonio, TX18 .5 x 14.5 in
47 x 36.8 cmEdition of 10 plus 2 artist's proofs -
Nate CassieBlasted Inversion, 2023Photopolymer photogravure, Hare & Hound Press, San Antonio, TX19 x 15 in
48.3 x 38.1 cmEdition of 10 plus 2 artist's proofs -
Nate CassieAustin Inversion (White Ash), 2023Photopolymer photogravure, Hare & Hound Press, San Antonio, TX15 x 19 in
38.1 x 48.3 cmEdition of 10 plus 2 artist's proofs -
Lina PuertaG- Variation I, 2015Silkscreen, Lower East Side Printshop15 x 11 in
38.1 x 27.9 cmEdition of 11 (#11/11), Suite of 3 -
Lina PuertaG- Variation II, 2015Silkscreen, Lower East Side Printshop15 x 11 in
38.1 x 27.9 cmEdition of 11 (#11/11), Suite of 3 -
Lina PuertaBlack Grid on Sand with Green Band, 2015Etching and spit bite with chine collé, Lower East Side Printshop11 x 8 in paper size
27.9 x 20.3 cm paper size
Framed
15.5 x 12.5 x 1 in1 of 1
