César A. Martínez American, b. 1944

Biography

Martínez was born in Laredo, Texas, and graduated from Texas A&I University, Kingsville in 1968. He now lives and works in San Antonio, Texas. A significant figure in the late 1970s and 1980s Chicano Art Movement, Martínez’s portraits are Mexican American art history icons. Deeply rooted in his native South Texas and its Mexican American culture, Martínez’s work reflects a broad knowledge of the Western art canon and finds inspiration from color-field paintings, Mexican architecture, and photography. Martínez offsets his melancholic subjects against a vibrant palette of clothes, in tension against abstract backgrounds. The individuals in Martínez’s works are merely hybrids derived and elaborated from many photographs found in high school yearbooks, obituaries, newspapers, and other public sources. 

 

The background in his paintings is like an upright wall layered with vibrant colors that are often seen in traditional Mexican architecture as well as in the more modern works of Mexican architects like Luis Barragan and Ricardo Legorreta. In Mexican architecture, as in Martínez’s pieces, the louder the colors, the more powerful the statement. Now, instead of a skyline, the upper horizontal band of color can be seen as an elevated tier of paint functioning architecturally to distinguish the top frieze from the lower main part of the building.  “I’ve never really done art that I would say is political. But I think the kind of art that becomes politicized, as in my case and in many of my contemporaries, is simply because it had a Chicano perspective or Chicano imagery. The Chicano Movement was such an overpowering thing that I couldn’t help but become associated with it. The Chicano Movement was a renaissance in thinking about us and in creating those institutions and images and writings that reflected who we are. They were non-existent at that time, we had nothing to relate to, so we had to make it up as we went along. And that was the road to a deeper understanding of who we are.” – César A. Martínez.

 

His work has recently been acquired by prestigious institutions such as the Museum of Modern Art, New York, NY; The Whitney Museum of American Art, New York, NY; and The National Gallery of Art, Washington, D.C. His work is also part of the permanent collection of the Brooklyn Art Museum, Brooklyn, NY; The Cheech Center, Riverside, CA; the Museum of Fine Arts, Houston, TX; McNay Art Museum, San Antonio, TX McNay Art Museum, San Antonio, TX; San Antonio Museum of Art, San Antonio, TX, and the Mexican Fine Arts Center Museum, Chicago, IL.


The artist has been featured and reviewed in Hyperallergic, Art in America, and four times in The New York Times. In 1997 Martínez was a Artpace San Antonio International Artist-in-Residence and in 1999, the McNay Art Museum in San Antonio, TX, organized a retrospective of Martinez’s work titled César A. Martínez: A Retrospective and published a catalogue of the exhibition.

 

VIEW ARTWORKS ON ARTSY

Works
  • Bato con sunglasses
    César A. Martínez
    Bato con sunglasses, 2024
    Acrylic on canvas
    44 x 34 in
    111.8 x 86.4 cm
  • Bato con sunglasses
    César A. Martínez
    Bato con sunglasses, 2024
    Acrylic on canvas
    44 x 34 in
    111.8 x 86.4 cm
  • Poncho
    César A. Martínez
    Poncho, 2024
    Acrylic on canvas
    54 x 44 in
    137.2 x 111.8 cm
  • Capote de Paseo (Ambar)
    César A. Martínez
    Capote de Paseo (Ambar), 2017
    Collage on paper
    22.25 x 22.25in
    56.5 x 56.5 cm
  • Capote de Paseo (Lager)
    César A. Martínez
    Capote de Paseo (Lager), 2017
    Collage on paper
    22.25 x 22.25in
    56.5 x 56.5 cm
  • The Scream in South Texas: La Llorona
    César A. Martínez
    The Scream in South Texas: La Llorona, 1992
    Mixed media on metal and wood
    24.75 x 42.75 in
    62.9 x 108.6 cm
  • 16 Dec 23
    César A. Martínez
    16 Dec 23, 2023
    Acrylic on Arches watercolor paper
    22.5 x 30 in
    57.1 x 76.2 cm
  • 1 Feb 24
    César A. Martínez
    1 Feb 24, 2024
    Acrylic on Arches watercolor paper
    22.5 x 30 in
    57.1 x 76.2 cm
  • 11 Mar 24
    César A. Martínez
    11 Mar 24, 2024
    Acrylic on Arches watercolor paper
    22.5 x 30 in
    57.1 x 76.2 cm
  • Bato Con Raincoat, 12 V 23
    César A. Martínez
    Bato Con Raincoat, 12 V 23, 2024
    Graphite and chalk on Stonehenge paper
    15 x 11 in
    38.1 x 27.9 cm
  • Bato Con Raincoat, 14 V 23
    César A. Martínez
    Bato Con Raincoat, 14 V 23, 2023
    Graphite on Stonehenge paper
    15 x 11 in
    38.1 x 27.9 cm
  • Bato Con Sunglasses, 6 V 23
    César A. Martínez
    Bato Con Sunglasses, 6 V 23, 2023
    Graphite on Stonehenge paper
    15 x 11 in
    38.1 x 27.9 cm
  • Ofelia (16 V 23)
    César A. Martínez
    Ofelia (16 V 23), 2023
    Graphite and chalk on Stonehenge paper
    15 x 11 in
    38.1 x 27.9 cm
  • Liz Biznaga (11Aug21)
    César A. Martínez
    Liz Biznaga (11Aug21), 2021
    Graphite on Stonehenge paper
    15 x 11 in
    38.1 x 27.9 cm
  • Malintzin Reimagined, 22 VIII 24
    César A. Martínez
    Malintzin Reimagined, 22 VIII 24, 2024
    Graphite and chalk on Stonehenge paper
    15 x 11 in
    38.1 x 27.9 cm
  • Bato Con Raincoat
    César A. Martínez
    Bato Con Raincoat, 2024
    Acrylic on canvas
    44 x 40 in
    111.8 x 101.6 cm
  • Guadalupe G.
    César A. Martínez
    Guadalupe G., 2012
    Acrylic on muslin
    28 x 28 in
    71.1 x 71.1 cm
  • Simon Novoa
    César A. Martínez
    Simon Novoa, 2024
    Acrylic on canvas
    64 x 54 in
    162.6 x 137.2 cm
  • Capote de Paseo (Dos XX Ambar)
    César A. Martínez
    Capote de Paseo (Dos XX Ambar), 2014
    collage on paper
    22 x 22"
  • Papalote
    César A. Martínez
    Papalote, 1980
    Acrylic on canvas
    50 x 50 in
    127 x 127 cm
  • Capote de Paseo (Dos XX Lager)
    César A. Martínez
    Capote de Paseo (Dos XX Lager), 2014
    collage on paper
    22 x 22"
  • El Sonny
    César A. Martínez
    El Sonny, 1977
    Graphite on newsprint
    18 x 12 in
    45.7 x 30.5 cm
  • Serape: 28 IX 23
    César A. Martínez
    Serape: 28 IX 23, 2023
    Acrylic on Arches watercolor paper
    22.5 x 30 in
    57.1 x 76.2 cm
  • Golden Bato
    César A. Martínez
    Golden Bato, 1990
    3-color Lithograph
    30 x 22 in
    76.2 x 55.9 cm
    Edition 36 of 100
  • Toro
    César A. Martínez
    Toro, 1990
    Watercolor on paper
    10 x 7 in
    25.4 x 17.8 cm
  • Three Rivers Petroglyph
    César A. Martínez
    Three Rivers Petroglyph, 2024
    Incised images on metal with object
    21 x 16 in
    53.3 x 40.6 cm
  • Toro
    César A. Martínez
    Toro, 1988
    Linoleum reduction print
    7.5 x 6 in
    19.1 x 15.2 cm
    Artist's proof 2 of 3
  • Toro
    César A. Martínez
    Toro, 1990
    Watercolor on paper
    10 x 7 in
    25.4 x 17.8 cm
  • Toro
    César A. Martínez
    Toro, 1990
    Watercolor on paper
    10 x 7 in
    25.4 x 17.8 cm
  • Toro
    César A. Martínez
    Toro, 1988
    Linoleum reduction print
    11 x 8.5 in
    27.9 x 21.6 cm
    4 artist's proofs
  • Toro Picassiano
    César A. Martínez
    Toro Picassiano, 1988
    Linoleum reduction print
    13 x 10 in
    33 x 25.4 cm
    Edition 7 of 22
  • Bato Rojo Lino
    César A. Martínez
    Bato Rojo Lino, 1988
    Linoleum reduction print
    13 x 10 in
    33 x 25.4 cm
    Edition 8 of 22
Press
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